[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:at-long-last-love":3},"title: At Long Last Love\ncomposer: Cole Porter\nstyle: Medium Swing\nkey: C\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n1  | C6      # tonic: the 4th is in the key\n1  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Dm7     # ii of the ii–V to C\n2  | G9      # V7 of C: natural tensions\nalt 2  | G6\u002FB    # a non-tonic major chord: Lydian\nalt 2  | G9      # V7 in C, not resolving: natural tensions\n3  | C6      # tonic: the 4th is in the key\n3  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 3  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 3  | Am7\n4  | Dm7     # ii of the ii–V to C\n4  | G9      # V7 of C: natural tensions\nalt 4  | G6      # a non-tonic major chord: Lydian\nalt 4  | G9      # V7 in C, not resolving: natural tensions\n5  | C6      # tonic: the 4th is in the key\n5  | Dm7     # ii: Dorian, the key’s own notes\nalt 5  | F6      # IV: the #4 is the key’s 7th\nalt 5  | Dm7     # ii: Dorian, the key’s own notes\n6  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n7  | Dm7     # ii: Dorian, the key’s own notes\n8  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | A7      # V7\u002Fii in C: the b13 is in the key\nalt 8  | G7      # V7\u002FI in C: natural tensions\nalt 8  | A7      # V7\u002Fii in C: the b13 is in the key\n9  | Dm7     # ii: Dorian, the key’s own notes\n10 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | A9      # V7\u002Fii in C: the b13 is in the key\nalt 10 | A7\u002FC#   # V7 of the Dm7 before it: the b13 is in the key\nalt 10 | A9      # VI7 in C, not resolving: the b13 is in the key\n11 | Dm7     # ii of G7: Dorian\nalt 11 | F6\u002FC    # IV: the #4 is the key’s 7th\n12 | G7      # V7\u002FI in C: natural tensions\nalt 12 | Bm7b5   # viiø7 in C: Locrian, the key's own notes (its ♭2 is a passing note)\n13 | Dm7     # ii of the ii–V to C\nalt 13 | F6\u002FA    # IV: the #4 is the key’s 7th\n14 | G9      # V7 of C: natural tensions\n15 | C6      # tonic: the 4th is in the key\nalt 15 | C6      # tonic: the 4th is in the key\nalt 15 | A7#9    # V7\u002Fii in C: the b13 is in the key, b9, #9 and #11 from the symbol\n16 | G13     # V7 of C: natural tensions\nalt 16 | Dm7     # ii of the ii–V to C\nalt 16 | G13     # V7 of C: natural tensions\n\nsection: B\n1  | C6      # tonic: the 4th is in the key\n1  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Dm7     # ii of the ii–V to C\n2  | G9      # V7 of C: natural tensions\nalt 2  | G6\u002FB    # a non-tonic major chord: Lydian\nalt 2  | G9      # V7 in C, not resolving: natural tensions\n3  | C6      # tonic: the 4th is in the key\nalt 3  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Dm7     # ii of G13: Dorian\n4  | G13     # extended dominant: V7 of C13\nalt 4  | G6      # a non-tonic major chord: Lydian\nalt 4  | G13     # extended dominant: V7 of C13\n5  | C13     # I7 in C, not resolving: natural tensions\nalt 5  | C13     # I7 in C, not resolving: natural tensions\nalt 5  | Bb6\u002FD   # ♭VII6, borrowed from C minor: Lydian (its ♯11 is in the key)\n6  | Gm7     # ii of the ii–V to F\n6  | C9      # V7\u002FIV in C: natural tensions\nalt 6  | Ebdim7  # passing diminished: a rootless dominant ♭9\nalt 6  | C9\u002FE    # V7\u002FIV in C: natural tensions\n7  | F6      # the C9 before it makes F the key of the moment: the 4th is in the key\nalt 7  | F6      # the C9\u002FE before it makes F the key of the moment: the 4th is in the key\nalt 7  | Gm7     # a borrowed minor chord: Dorian, its own key\n8  | F6\nalt 8  | Abdim7  # passing diminished: a rootless dominant ♭9\nalt 8  | F6      # IV: the #4 is the key’s 7th\nalt 8  | Gm7     # a borrowed minor chord: Dorian, its own key\nalt 8  | F6\u002FA    # IV: the #4 is the key’s 7th\n9  | FMaj7   # IV: the #4 is the key’s 7th\nalt 9  | F#m7b5  # #ivø7 in C: Locrian, its own mode (the chord is outside the key)\n10 | Bb9     # ♭VII7 from the parallel minor: Lydian Dominant\nalt 10 | Fm6     # a minor sixth chord: Dorian\n11 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | A7      # V7\u002Fii in C: the b13 is in the key\n13 | Dm7     # ii of the ii–V to C\n14 | G7      # V7 of C: natural tensions\n15 | C6      # tonic: the 4th is in the key\n16 | Dm7     # ii of the ii–V to C\n16 | G13     # V7 of C: natural tensions\n",1793575881956]