[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:at-last":3},"title: At Last\ncomposer: Harry Warren\nstyle: Medium Swing\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1 – B 4)\n1  | C6      # tonic: the 4th is in the key\n1  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Dm7     # ii of the ii–V to C\n2  | G7b13   # V7 of C: the b13 from the symbol\n3  | CMaj7   # tonic: the 4th is in the key\n3  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Dm7     # ii of G7: Dorian\n4  | G7      # V7\u002FI in C: natural tensions\n5  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | A7      # V7\u002Fii in C: the b13 is in the key\n6  | Dm7     # ii of the ii–V to C\n6  | G7      # V7 of C: natural tensions\n7  | C6      # tonic: the 4th is in the key\n7  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Ab7     # tritone substitute: resolves down a half step to G7\n8  | G7      # V7 of C: natural tensions\n9  | C6      # tonic: the 4th is in the key\n9  | Fm6     # a minor sixth chord: Dorian\n10 | C6      # tonic: the 4th is in the key\n10 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Dm7     # ii of the ii–V to C\n1  | G7      # V7 of C: natural tensions\n2  | CMaj7   # tonic: the 4th is in the key\n2  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | B7b9    # V7\u002Fiii in C: b9 and b13 are in the key\n4  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: G major (B 5–7)\n5  | Am7     # ii of the ii–V to G\n5  | D7      # V7 of G: natural tensions\n6  | GMaj7   # tonic: the 4th is in the key\n6  | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n7  | Am7     # ii of D7b9: Dorian\n7  | D7b9    # V7\u002FI in G: the b9 from the symbol\n# area: C major (B 8 – A2 8)\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n\nsection: A2\n1  | C6      # tonic: the 4th is in the key\n1  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Dm7     # ii of the ii–V to C\n2  | G7b13   # V7 of C: the b13 from the symbol\n3  | CMaj7   # tonic: the 4th is in the key\n3  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Dm7     # ii of G7#9: Dorian\n4  | G7#9    # V7\u002FI in C: b9, #9 and #11 from the symbol\n5  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | A7      # V7\u002Fii in C: the b13 is in the key\n6  | Dm7     # ii of the ii–V to C\n6  | G7      # V7 of C: natural tensions\n7  | C6      # tonic: the 4th is in the key\n7  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n",1793575881945]