[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ask-me-now":3},"title: Ask Me Now\ncomposer: Thelonious Monk\nstyle: Ballad\nkey: Db\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Db\n\nsection: A1\n1 | Gm7     # ii of C7: Dorian\n1 | C7      # extended ii–V: a side-step, its own key\n1 | F#m7    # ii of B7: Dorian\n1 | B7      # extended ii–V: a side-step, its own key\n2 | Fm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Bb7     # extended ii–V: a side-step, its own key\n2 | Em7     # ii of A7: Dorian\n2 | A7      # extended ii–V: a side-step, its own key\n3 | Ebm7    # ii of Ab7#5: Dorian\n3 | Ab7#5   # V7\u002FI in Db: #11 and b13 from the symbol\n4 | B7#11   # tritone substitute: resolves down a half step to Bb7\n4 | Bb7     # extended dominant: V7 of Eb7\n5 | Eb7     # tritone substitute: resolves down a half step to D7\n5 | D7      # tritone substitute: resolves down a half step to DbMaj7\n6 | DbMaj7  # tonic: the 4th is in the key\n6 | Eb7     # II7 in Db, not resolving: natural tensions\n7 | Ebm7    # ii of Ab7: Dorian\n7 | Ab7     # V7\u002FI in Db: natural tensions\n8 | B7      # tritone substitute: resolves down a half step to Bb7\n8 | Bb7     # tritone substitute: resolves down a half step to A7\n8 | A7      # tritone substitute: resolves down a half step to Ab7\n8 | Ab7     # V7 of Db: natural tensions\n9 | DbMaj7  # tonic: the 4th is in the key\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | Ebm7    # ii of the ii–V to Db\n1 | Ab7     # V7 of Db: natural tensions\n2 | DbMaj7  # tonic: the 4th is in the key\n3 | Ebm7    # ii: Dorian, the key’s own notes\n3 | D7#11   # tritone substitute: resolves down a half step to DbMaj7\n4 | DbMaj7  # tonic: the 4th is in the key\n5 | Eb7     # II7 in Db, not resolving: natural tensions\n6 | Eb7\n7 | Ebm7    # ii of Ab7: Dorian\n7 | Ab7     # V7\u002FI in Db: natural tensions\n8 | Gb7#11  # IV7 in Db, not resolving: the #11 is in the key\n\nsection: A2\n1 | Gm7     # ii of C7: Dorian\n1 | C7      # extended ii–V: a side-step, its own key\n1 | F#m7    # ii of B7: Dorian\n1 | B7      # extended ii–V: a side-step, its own key\n2 | Fm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Bb7     # extended ii–V: a side-step, its own key\n2 | Em7     # ii of A7: Dorian\n2 | A7      # extended ii–V: a side-step, its own key\n3 | Ebm7    # ii of Ab7#5: Dorian\n3 | Ab7#5   # V7\u002FI in Db: #11 and b13 from the symbol\n4 | B7#11   # tritone substitute: resolves down a half step to Bb7\n4 | Bb7     # extended dominant: V7 of Eb7\n5 | Eb7     # tritone substitute: resolves down a half step to D7\n5 | D7      # tritone substitute: resolves down a half step to DbMaj7\n6 | DbMaj7  # tonic: the 4th is in the key\n6 | Eb7     # II7 in Db, not resolving: natural tensions\n7 | Ebm7    # ii of the ii–V to Db\n7 | Ab7#5   # V7 of Db: #11 and b13 from the symbol\n8 | DbMaj7  # tonic: the 4th is in the key\n",1793575881928]