[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:as-vitrines":3},"title: As Vitrines\ncomposer: Chico Buarque\nstyle: Slow Bossa Nova\nkey: Gm\nform: ABC, 34 bars\nrecording: Chico Buarque; Almanaque; Ariola; 1981\nyoutube: wZOuu5_wu_k\n# analysis: 2026-10-28, rules v2; G minor\n# recording: Chico Buarque's own first recording, on Almanaque (Ariola 1981), prod. Mazola; rule 1; sources: Wikipedia (Almanaque), YouTube Topic credits; video: Universal Music Group \"Provided to YouTube\" upload, Almanaque, ℗ 1981, 2:48\n\nsection: A\n# area: G minor (A 1–11)\n1  | Gm7        # tonic minor: Dorian by convention\n2  | D\u002FF#       # a non-tonic major chord: Lydian\n3  | Ebadd9\u002FG   # a non-tonic major chord: Lydian\n4  | Bbm7       # ii of Eb7\u002FBb: Dorian\n4  | Eb7\u002FBb     # extended ii–V: a side-step, its own key\n5  | Am11       # ii of the ii–V to G minor\n6  | D7\u002FA       # V7 of G minor: b9 and b13 are in the key\n7  | Gm7        # tonic minor: Dorian by convention\n8  | D7b9       # V7 of G minor: b9 and b13 are in the key\n9  | Gm7        # tonic minor: Dorian by convention\n10 | D\u002FF#       # a non-tonic major chord: Lydian\n11 | Ebadd9\u002FG   # a non-tonic major chord: Lydian\n# area: Bb major (A 12 – B 6)\n12 | Cm7        # ii of the ii–V to Bb\n12 | F7\u002FC       # V7 of Bb: natural tensions\n13 | BbMaj7     # tonic: the 4th is in the key\n14 | A13        # VII7 in Bb, not resolving: the b9 is in the key, the 13 from the symbol\n14 | A7b13      # VII7 in Bb, not resolving: b9 and b13 are in the key\n15 | Am11       # ii of D7\u002FA: Dorian\n15 | D7\u002FA       # extended ii–V: a side-step, its own key\n16 | F7\u002FA       # V7 of Bb: natural tensions\n\nsection: B\n1  | Bb\u002FD       # tonic: the 4th is in the key\n2  | G7\u002FD       # VI7 in Bb, not resolving: the b13 is in the key\n3  | Dm7b5      # iiiø7 in Bb: Locrian, its own mode (the chord is outside the key)\n4  | Dm7b5\n5  | Cm7        # ii: Dorian, the key’s own notes\n6  | Cm7\u002FBb     # ii: Dorian, the key’s own notes\n# area: G minor (B 7 – Coda 2)\n7  | Am11       # ii of the ii–V to G minor\n8  | Am11\n8  | D7\u002FA       # V7 of G minor: b9 and b13 are in the key\n\nsection: C\n1  | Gm7        # tonic minor: Dorian by convention\n2  | D\u002FF#       # a non-tonic major chord: Lydian\n3  | EbMaj7#11  # from the symbol: #11\n4  | AbMaj7     # a non-tonic major chord: Lydian\n4  | G7         # V7\u002Fiv in G minor: the b13 is in the key\n5  | Cm7        # iv: Dorian, the key’s own notes\n6  | GbMaj7     # a non-tonic major chord: Lydian\n6  | F7         # V7\u002FbIII in G minor: natural tensions\n7  | BbMaj7     # bIII of G minor: the relative major itself\n7  | Bb7        # V7\u002FbVI in G minor: natural tensions\n8  | Eb6        # a non-tonic major chord: Lydian\n8  | C\u002FE        # a non-tonic major chord: Lydian\n9  | Edim7      # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n9  | Eb6        # a non-tonic major chord: Lydian\n10 | Gm7        # tonic minor: Dorian by convention\n10 | D\u002FF#       # a non-tonic major chord: Lydian\n@coda 10\n\nsection: Coda\n1  | Gm7        # tonic minor: Dorian by convention\n2  | GmMaj7     # from the symbol: minor-major 7th\n@coda 1\n@nav 2 Fine\n",1793484797745]