[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:as-time-goes-by":3},"title: As Time Goes By\ncomposer: Herman Hupfeld\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | Fm7     # ii of Bb7: Dorian\n1  | Bb7     # V7\u002FI in Eb: natural tensions\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\nalt 2  | Bbm6    # a minor sixth chord: Dorian\nalt 2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n3  | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\nalt 3  | EbMaj7  # tonic: the 4th is in the key\nalt 3  | Fm7     # ii: Dorian, the key’s own notes\n4  | EbMaj7  # tonic: the 4th is in the key\nalt 4  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 4  | C7      # extended dominant: V7 of F7\n5  | F7      # II7 in Eb, not resolving: natural tensions\n5  | F#dim7  # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\nalt 5  | F7      # II7 in Eb, not resolving: natural tensions\nalt 5  | F7\n6  | Fm7     # ii of the ii–V to Eb\n6  | Bb7     # V7 of Eb: natural tensions\n7  | EbMaj7  # tonic: the 4th is in the key\n7  | Fm7     # ii: Dorian, the key’s own notes\nalt 7  | EbMaj7  # tonic: the 4th is in the key\nalt 7  | Ab7     # tritone substitute: resolves down a half step to Gm7\n8  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | C7b9    # extended ii–V: a side-step, its own key; b9 from the symbol\n9  | EbMaj7  # tonic: the 4th is in the key\n10 | Bbm7    # ii of the ii–V to Ab\n10 | Eb7     # V7\u002FIV in Eb: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n3  | Fm7     # ii: Dorian, the key’s own notes\n4  | F#dim7  # passing diminished: a rootless dominant ♭9\n5  | Cm7     # ii of F7: Dorian\n6  | F7      # V7\u002FV in Eb: natural tensions\n7  | Fm7     # ii: Dorian, the key’s own notes\n7  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n8  | Fm7     # ii of Bb7: Dorian\n8  | Bb7     # V7\u002FI in Eb: natural tensions\n8  | C7      # V7\u002Fii in Eb: the b13 is in the key\n\nsection: A2\n1  | Fm7     # ii of Bb7: Dorian\n1  | Bb7     # V7\u002FI in Eb: natural tensions\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\nalt 2  | Bbm6    # a minor sixth chord: Dorian\nalt 2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n3  | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\nalt 3  | EbMaj7  # tonic: the 4th is in the key\nalt 3  | Fm7     # ii: Dorian, the key’s own notes\n4  | EbMaj7  # tonic: the 4th is in the key\nalt 4  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 4  | C7      # extended dominant: V7 of F7\n5  | F7      # II7 in Eb, not resolving: natural tensions\n5  | F#dim7  # vii°7 of Gm7: D7♭9 without its root\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n7  | Fm7     # ii of the ii–V to Eb\n7  | Bb7     # V7 of Eb: natural tensions\n8  | Eb6     # tonic: the 4th is in the key\n8  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n",1793575881878]