[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:armandos-rhumba":3},"title: Armando's Rhumba\ncomposer: Chick Corea\nstyle: Latin\nkey: Cm\nform: AB, 20 bars\n# analysis: 2026-10-31, rules v2; C minor\n\nsection: A\n1  | Cm7        # tonic minor: Dorian by convention\n2  | D7b9       # V7 of V7: the dominant of the dominant, on the way to C minor: b9 and b13 are in the key\n3  | G7b13      # V7 of C minor, the chain's last link: b9 and b13 are in the key\n4  | Cm7        # tonic minor: Dorian by convention\n5  | Cm7\n6  | D7b9       # V7 of V7: the dominant of the dominant, on the way to C minor: b9 and b13 are in the key\n7  | G7b13      # V7 of C minor, the chain's last link: b9 and b13 are in the key\n8  | Cm7        # tonic minor: Dorian by convention\n\nsection: B\n1  | C7b9       # V7\u002Fiv in C minor: the b13 is in the key, the b9 from the symbol\n2  | Fm7        # iv: Dorian, the key’s own notes\n3  | D7b9\u002FF#    # V7\u002Fv in C minor: b9 and b13 are in the key\n4  | Gm7        # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n5  | Abdim7     # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n6  | D7b9\u002FA     # II7 in C minor, not resolving: b9 and b13 are in the key\n7  | Bb7sus     # static sus: Mixolydian\n8  | Bb7sus\n9  | Bb7sus4b9  # from the symbol: sus b9\n10 | Bb7sus4b9\nalt 10 | Bb7sus4b9\nalt 10 | E7#9       # tritone substitute: resolves down a half step to Eb6; b9 and #9 from the symbol\n11 | Eb6        # bIII of C minor: the relative major itself\nalt 11 | Eb6        # bIII of C minor: the relative major itself\nalt 11 | E          # a non-tonic major chord: Lydian\nalt 11 | F          # a non-tonic major chord: Lydian\nalt 11 | F#         # a non-tonic major chord: Lydian\n12 | G7b13      # V7 of C minor: b9 and b13 are in the key\n",1793575881824]