[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:arent-you-glad-youre-you":3},"title: Aren't You Glad You're You\ncomposer: Jimmy Van Heusen\nstyle: Medium Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1 – A2 3)\n1 | FMaj7    # tonic: the 4th is in the key\n1 | FMaj7\u002FA  # tonic: the 4th is in the key\n2 | Bb6      # IV: the #4 is the key’s 7th\n2 | Bdim7    # passing diminished: G7♭9 without its G, the C7's dominant; not functioning diatonically: the symmetric scale\n3 | C7       # V7 of F: natural tensions\n4 | F6       # tonic: the 4th is in the key\n5 | C7       # V7 of F: natural tensions\n6 | F6       # tonic: the 4th is in the key\n6 | D7       # extended dominant: V7 of G7\n7 | G7       # V7\u002FV in F: natural tensions\n8 | C        # V without its 7th: Mixolydian, the key’s own notes\n8 | C7       # V7 of F: natural tensions\n\nsection: A2\n1 | FMaj7    # tonic: the 4th is in the key\n1 | FMaj7\u002FA  # tonic: the 4th is in the key\n2 | Bb6      # IV: the #4 is the key’s 7th\n2 | Bdim7    # passing diminished: E7♭9 without its E, the AMaj7's dominant; not functioning diatonically: the symmetric scale\n3 | AMaj7    # a non-tonic major chord: Lydian\n# area: A major (A2 3–8)\n3 | E7       # V7 of A: natural tensions\n4 | AMaj7    # tonic: the 4th is in the key\n5 | Bm7      # ii of the ii–V to A\n5 | E7       # V7 of A: natural tensions\n6 | AMaj7    # tonic: the 4th is in the key\n6 | F#m7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | Bm7      # ii of the ii–V to A\n7 | E7       # V7 of A: natural tensions\n8 | AMaj7    # tonic: the 4th is in the key\n8 | C7       # ♭III7 from the parallel minor: Lydian Dominant\n\nsection: B\n# area: F major (B 1–3)\n1 | Cm7      # ii of the ii–V to Bb\n2 | F7       # V7\u002FIV in F: natural tensions\n3 | BbMaj7   # the F7 before it makes Bb the key of the moment: the 4th is in the key\n# area: Ab major (B 4–5)\n4 | Bbm7     # ii of the ii–V to Ab\n4 | Eb7      # V7 of Ab: natural tensions\n5 | AbMaj7   # tonic: the 4th is in the key\n# area: F major (B 6 – A3 8)\n6 | Gm7      # ii of the ii–V to F\n6 | C7       # V7 of F: natural tensions\n7 | FMaj7    # tonic: the 4th is in the key\n7 | Dm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8 | Gm7      # ii of the ii–V to F\n8 | C7       # V7 of F: natural tensions\n\nsection: A3\n1 | FMaj7    # tonic: the 4th is in the key\n1 | FMaj7\u002FA  # tonic: the 4th is in the key\n2 | Bb6      # IV: the #4 is the key’s 7th\n2 | Bdim7    # passing diminished: G7♭9 without its G, the C7's dominant; not functioning diatonically: the symmetric scale\n3 | C7       # V7 of F: natural tensions\n4 | F6       # tonic: the 4th is in the key\n5 | C7       # V7 of F: natural tensions\n6 | F6       # tonic: the 4th is in the key\n6 | D7       # V7\u002Fii in F: the b13 is in the key\n7 | Gm7      # ii of the ii–V to F\n7 | C7       # V7 of F: natural tensions\n8 | F6       # tonic: the 4th is in the key\n",1793575881801]