[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:aquele-um":3},"title: Aquele Um\ncomposer: Djavan\nstyle: Samba Funk\nkey: G\nform: ABCCD, 41 bars\nrecording: Djavan; Alumbramento; EMI-Odeon; 1980\nyoutube: _RgXNlI5ogg\n# analysis: 2026-10-28, rules v2; G\n# recording: EMI-Odeon 31C 064 422859, B2 (3:07); Djavan and Aldir Blanc; the composer's own first recording (rule 1); sources: Discogs; video: Djavan - Topic \"Provided to YouTube\" upload (Universal Music Group), on the CD Alumbramento & Cara de Índio, ℗ 1979 EMI, 3:09, the same take\n\nsection: Intro1\n1  | F7      # tritone substitute: resolves down a half step to E7#9\n2  | E7#9    # extended dominant: each one falls a fifth into the next: b9, #9 and #11 from the symbol\n3  | A13     # V7 of V7: the dominant of the dominant: natural tensions\n4  | D9      # V7 in G, not resolving: natural tensions\n5  | F7      # tritone substitute: resolves down a half step to E7#9\n6  | E7#9    # extended dominant: each one falls a fifth into the next: b9, #9 and #11 from the symbol\n7  | A13     # V7 of V7: the dominant of the dominant: natural tensions\n8  | D9      # V7 in G, not resolving: natural tensions\n\nsection: Intro2\ncopy: Intro1\n\nsection: A\n1  | G6      # tonic: the 4th is in the key\n2  | E7#9    # extended dominant: each one falls a fifth into the next: b9, #9 and #11 from the symbol\n3  | A13     # V7 of V7: the dominant of the dominant: natural tensions\n4  | D9      # V7 in G, not resolving: natural tensions\n5  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | E7      # V7\u002Fii in G: the b13 is in the key\n7  | Am7     # ii of D9: Dorian\n8  | D9      # V7\u002FI in G: natural tensions\n9  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | E7      # V7\u002Fii in G: the b13 is in the key\n11 | Am7     # ii of D9: Dorian\n12 | D9      # V7\u002FI in G: natural tensions\n\nsection: B\n1  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | E7      # V7\u002Fii in G: the b13 is in the key\n3  | Am7     # ii: Dorian, the key’s own notes\n4  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | B7      # V7\u002Fvi in G: b9 and b13 are in the key\n5  | Em7     # ii of A7: Dorian\n6  | A7      # V7\u002FV in G: natural tensions\n7  | Am7     # ii of D7: Dorian\n8  | D7      # V7\u002FI in G: natural tensions\n\nsection: C1\n1  | F7#11   # tritone substitute: resolves down a half step to E7#9\n2  | E7#9    # extended dominant: each one falls a fifth into the next: b9, #9 and #11 from the symbol\n3  | A13     # V7 of V7: the dominant of the dominant: natural tensions\n4  | D9      # V7 in G, not resolving: natural tensions\n5  | F7#11   # tritone substitute: resolves down a half step to E7#9\n6  | E7#9    # extended dominant: each one falls a fifth into the next: b9, #9 and #11 from the symbol\n7  | A13     # V7 of V7: the dominant of the dominant: natural tensions\n8  | D9      # V7 in G, not resolving: natural tensions\n@nav 8 D.C. al Fine\n\nsection: C2\ncopy: C1\n\nsection: D\n1  | F7#11   # tritone substitute: resolves down a half step to E7#9\n2  | E7#9    # extended dominant: each one falls a fifth into the next: b9, #9 and #11 from the symbol\n3  | A13     # V7 of V7: the dominant of the dominant: natural tensions\n4  | D9      # V7 of G: natural tensions\n5  | G6      # tonic: the 4th is in the key\n@nav 5 Fine\n",1793484797724]