[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:aquarela-do-brasil":3},"title: Aquarela do Brasil\ncomposer: Ary Barroso\nstyle: Samba\nkey: D\nform: AABCDCD, 147 bars\naka: Brazil\n# analysis: 2026-10-29, rules v2; D\n# no recording: first recorded by Francisco Alves with Radamés Gnattali's orchestra (Odeon 78 11768, 1939), but no confident first LP: the earliest found on Discogs is the compilation Pequena História do Samba (MIS 011, 1968)\n\nsection: A1\n1  | A7b9     # V7 of D: the b9 from the symbol\n\nsection: A2\n1  | D6       # tonic: the 4th is in the key\n2  | D6\n3  | D6\n4  | D6\n5  | Dm6      # a minor sixth chord: Dorian\n6  | Dm6\n7  | Dm6\n8  | Dm6\n9  | D6       # tonic: the 4th is in the key\n10 | D6\n11 | D6\n12 | D6\n13 | B7b9#5   # VI7 in D, not resolving: the b13 is in the key, b9 and #11 from the symbol\n14 | B7b9     # V7\u002Fii in D: the b13 is in the key, the b9 from the symbol\n\nsection: B\n1  | Em9      # ii of A9: Dorian\n2  | A9       # V7\u002FI in D: natural tensions\n3  | Em9      # ii of A9: Dorian\n4  | A9       # V7\u002FI in D: natural tensions\n5  | Em9      # ii of A9: Dorian\n6  | A9       # V7\u002FI in D: natural tensions\n7  | Em9      # ii of the ii–V to D\n8  | A9       # V7 of D: natural tensions\n9  | DMaj9    # tonic: the 4th is in the key\n10 | DMaj9\n11 | Em7      # ii of the ii–V to D\n12 | A9       # V7 of D: natural tensions\n13 | DMaj9    # tonic: the 4th is in the key\n14 | DMaj9\n15 | Em7      # ii of the ii–V to D\n16 | A9       # V7 of D: natural tensions\n\nsection: C1\n1  | DMaj7    # tonic: the 4th is in the key\n2  | DMaj7\n3  | DMaj7\nalt 4  | Ab9b5    # tritone substitute: resolves down a half step to G69\n5  | Em7      # ii of A9: Dorian\nalt 5  | G69      # the Ab9b5 before it makes G the key of the moment: the 4th is in the key\n6  | Em7\nalt 6  | G69\nalt 6  | G69\n7  | A9       # V7\u002FI in D: natural tensions\nalt 7  | G69\n8  | A9\nalt 8  | G69\n9  | Em7      # ii of the ii–V to D\n10 | Em7\n11 | A9       # V7 of D: natural tensions\n12 | A9\n13 | DMaj7    # tonic: the 4th is in the key\n14 | DMaj7\n15 | Em7      # ii of the ii–V to D\n16 | A9       # V7 of D: natural tensions\n17 | DMaj7    # tonic: the 4th is in the key\n17 | D7       # tritone substitute: resolves down a half step to Db7\n18 | Db7      # tritone substitute: resolves down a half step to C7\n18 | C7       # tritone substitute: resolves down a half step to B7\n\nsection: D1\n1  | B7       # VI7 in D, not resolving: the b13 is in the key\nalt 1  | F#m7b5   # iiø7 of B7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | F#m7b5   # iiø7 of B7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | B7b9     # V7\u002Fii in D: the b13 is in the key, the b9 from the symbol\n4  | B7b9\n5  | B7       # VI7 in D, not resolving: the b13 is in the key\nalt 5  | F#m7b5   # iiø7 of B7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | F#m7b5   # iiø7 of B7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n7  | B7b9     # V7\u002Fii in D: the b13 is in the key, the b9 from the symbol\n8  | B7b9\n9  | B7       # VI7 in D, not resolving: the b13 is in the key\nalt 9  | F#m7b5   # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | F#m7b5   # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n11 | B7b9     # V7\u002Fii in D: the b13 is in the key, the b9 from the symbol\n12 | B7b9\n13 | Em       # ii: Dorian, the key’s own notes\n14 | Em\n15 | Em6      # a minor sixth chord: Dorian\n16 | Em       # ii: Dorian, the key’s own notes\n17 | Em7      # ii: Dorian, the key’s own notes\nalt 17 | Gm6      # a minor sixth chord: Dorian\n18 | Em7\nalt 18 | Gm6\n19 | C9       # ♭VII7 from the parallel minor: Lydian Dominant\n20 | C9\n21 | F#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n22 | F#m7\n23 | Bm7      # ii of E9: Dorian\nalt 23 | DMaj9\u002FA  # tonic: the 4th is in the key\n24 | Bm7\nalt 24 | DMaj9\u002FA\nalt 24 | Bm7      # ii of E9: Dorian\n25 | E9       # V7\u002FV in D: natural tensions\n26 | E9\n27 | Em7      # ii of the ii–V to D\n28 | A7b9     # V7 of D: the b9 from the symbol\n29 | DMaj9    # tonic: the 4th is in the key\n30 | DMaj9\n31 | Em7      # ii of the ii–V to D\n32 | A9       # V7 of D: natural tensions\n33 | DMaj9    # tonic: the 4th is in the key\n34 | DMaj9\n35 | Em7      # ii of the ii–V to D\n36 | A9       # V7 of D: natural tensions\n37 | DMaj9    # tonic: the 4th is in the key\n38 | DMaj9\n39 | Em7      # ii of the ii–V to D\n40 | A7b9     # V7 of D: the b9 from the symbol\n@coda 30\n\nsection: C2\ncopy: C1\n\nsection: D2\n1  | B7       # VI7 in D, not resolving: the b13 is in the key\nalt 1  | F#m7b5   # iiø7 of B7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | F#m7b5   # iiø7 of B7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | B7b9     # V7\u002Fii in D: the b13 is in the key, the b9 from the symbol\n4  | B7b9\n5  | B7       # VI7 in D, not resolving: the b13 is in the key\nalt 5  | F#m7b5   # iiø7 of B7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | F#m7b5   # iiø7 of B7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n7  | B7b9     # V7\u002Fii in D: the b13 is in the key, the b9 from the symbol\n8  | B7b9\n9  | B7       # VI7 in D, not resolving: the b13 is in the key\nalt 9  | F#m7b5   # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | F#m7b5   # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n11 | B7b9     # V7\u002Fii in D: the b13 is in the key, the b9 from the symbol\n12 | B7b9\n13 | Em       # ii: Dorian, the key’s own notes\n14 | Em\n15 | Em6      # a minor sixth chord: Dorian\n16 | Em       # ii: Dorian, the key’s own notes\n17 | Em7      # ii: Dorian, the key’s own notes\nalt 17 | Gm6      # a minor sixth chord: Dorian\n18 | Em7\nalt 18 | Gm6\n19 | C9       # ♭VII7 from the parallel minor: Lydian Dominant\n20 | C9\n21 | F#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n22 | F#m7\n23 | Bm7      # ii of E9: Dorian\nalt 23 | DMaj9\u002FA  # tonic: the 4th is in the key\n24 | Bm7\nalt 24 | DMaj9\u002FA\nalt 24 | Bm7      # ii of E9: Dorian\n25 | E9       # V7\u002FV in D: natural tensions\n26 | E9\n27 | Em7      # ii of the ii–V to D\n28 | A7b9     # V7 of D: the b9 from the symbol\n29 | DMaj9    # tonic: the 4th is in the key\n30 | DMaj9\n31 | Em7      # ii of the ii–V to D\n32 | A9       # V7 of D: natural tensions\n33 | DMaj9    # tonic: the 4th is in the key\n34 | DMaj9\n35 | Em7      # ii of the ii–V to D\n36 | A9       # V7 of D: natural tensions\n37 | DMaj9    # tonic: the 4th is in the key\n38 | DMaj9\n39 | Em7      # ii of A7b9: Dorian\n40 | A7b9     # V7\u002FI in D: the b9 from the symbol\n@coda 30\n@nav 39 D.C. al Coda\n\nsection: Coda1\n1  | Em7      # ii of the ii–V to D\n2  | A9       # V7 of D: natural tensions\n3  | DMaj9    # tonic: the 4th is in the key\n4  | DMaj9\n5  | Em7      # ii of the ii–V to D\n6  | A9       # V7 of D: natural tensions\n7  | DMaj9    # tonic: the 4th is in the key\n8  | DMaj9\n@coda 1\n\nsection: Coda2\ncopy: Coda1\n",1793484797716]