[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:april-in-paris":3},"title: April In Paris\ncomposer: Vernon Duke\nstyle: Medium Swing\nkey: C\nform: ABCD, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n# area: C major (A 1 – C 6)\n1 | G7sus4b9  # from the symbol: sus b9\n2 | CMaj7     # tonic: the 4th is in the key\n3 | Dm7b5     # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | G7b9      # V7 of C: the b9 from the symbol\n5 | CMaj7     # tonic: the 4th is in the key\n6 | CMaj7\n7 | Gm7       # ii of the ii–V to F\n8 | C7        # V7\u002FIV in C: natural tensions\n\nsection: B\n1 | FMaj7     # the C7 before it makes F the key of the moment: the 4th is in the key\n2 | FMaj7\n3 | Bm7b5     # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | E7        # V7\u002Fvi in C: b9 and b13 are in the key\n4 | Am        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Am\u002FG      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | F#m7b5    # iiø7 of B7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | B7b9      # V7\u002Fiii in C: b9 and b13 are in the key\n7 | Bm7       # ii of E7: Dorian\n7 | E7        # extended ii–V: a side-step, its own key\n8 | Em7b5     # iiø7 of A7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7b9      # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n\nsection: C\n1 | F#m7b5    # #ivø7 in C: Locrian, its own mode (the chord is outside the key)\n1 | Fdim7     # passing diminished: G7♭9 without its G, the C\u002FE's dominant; not functioning diatonically: the symmetric scale\n2 | C\u002FE       # tonic: the 4th is in the key\n2 | Ebdim7    # passing diminished: D7♭9 without its D, the G7b9's dominant (Dm7b5 its ii)\n3 | Dm7b5     # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | G7b9      # V7 of C: the b9 from the symbol\n4 | C6        # tonic: the 4th is in the key\n5 | Bm7b5     # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5 | E7        # V7\u002Fvi in C: b9 and b13 are in the key\n6 | Am        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Am\u002FG      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: E major (C 7–8)\n7 | F#m7b5    # iiø7 of E: Locrian, the key's own notes (its ♭2 is a passing note)\n7 | B7b9      # V7 of E: the b9 from the symbol\n8 | EMaj7     # tonic: the 4th is in the key\n# area: C major (C 8 – D 8)\n8 | Dm7       # ii of G7: Dorian\n8 | G7        # V7\u002FI in C: natural tensions\n\nsection: D\n1 | G7sus4b9  # from the symbol: sus b9\n2 | CMaj7     # tonic: the 4th is in the key\n3 | Em7b5     # iiø7 of A7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7b9      # extended dominant: V7 of D7; b9 from the symbol\n5 | D7        # II7 in C, not resolving: natural tensions\n6 | Dm7b5     # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | G7        # V7 of C: natural tensions\n7 | C6        # tonic: the 4th is in the key\n8 | C6\n",1793575881709]