[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:apesar-de-voce":3},"title: Apesar de Você\ncomposer: Chico Buarque\nstyle: Samba\nkey: D\nform: AB, 64 bars\nrecording: Chico Buarque; Chico Buarque; Philips; 1978\nyoutube: Wq2tp7yIWY4\n# analysis: 2026-10-28, rules v2; D\n# recording: Philips 6349 398, prod. Sergio de Carvalho, with MPB4 and Quarteto em Cy; the song's first LP, once the censors released it; Chico first recorded it on the 1970 Philips compacto 365.315, withdrawn and banned; the composer's own (rule 1); sources: Discogs, Wikipedia; video: Chico Buarque - Topic \"Provided to YouTube\" upload (Universal Music Group), on the compilation O Sambista, ℗ 1978, 3:56, the same take\n\nsection: Intro\n1  | D69       # tonic: the 4th is in the key\n2  | A7#5      # V7 of D: #11 and b13 from the symbol\n3  | D69       # tonic: the 4th is in the key\n4  | A7#5      # V7 of D: #11 and b13 from the symbol\n5  | D69       # tonic: the 4th is in the key\n6  | A7#5      # V7 of D: #11 and b13 from the symbol\n7  | D69       # tonic: the 4th is in the key\n8  | G7        # tritone substitute: resolves down a half step to F#7\n8  | F#7       # V7\u002Fvi in D: b9 and b13 are in the key\n\nsection: A\n1  | Bm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Bbdim7    # passing diminished: F#7♭9 without its F#, the B7b9's dominant (F#m7b5 its ii)\n3  | F#m7b5    # iiø7 of B7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | B7b9      # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n5  | E9        # V7 of V7: the dominant of the dominant: natural tensions\n6  | A7        # V7 of D: natural tensions\n7  | D69       # tonic: the 4th is in the key\n8  | F#7b13    # V7\u002Fvi in D: b9 and b13 are in the key\n9  | Bm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Bbdim7    # passing diminished: a rootless dominant ♭9\n11 | F#m7b5    # iiiø7 in D: Locrian, its own mode (the chord is outside the key)\n12 | F#m7b5\n13 | F#m7b5\n14 | F#m7b5\n15 | B7sus4b9  # from the symbol: sus b9\n16 | B7b9      # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n17 | E9        # V7 of V7: the dominant of the dominant: natural tensions\n18 | A7        # V7 of D: natural tensions\n19 | D6\u002FF#     # tonic: the 4th is in the key\n20 | Gm6       # a minor sixth chord: Dorian\n21 | D6\u002FF#     # tonic: the 4th is in the key\n22 | Gm6       # a minor sixth chord: Dorian\n23 | Am6       # a minor sixth chord: Dorian\n24 | D9        # V7\u002FIV in D: natural tensions\n25 | GMaj7     # the D9 before it makes G the key of the moment: the 4th is in the key\n26 | F#7#5     # V7\u002FVI in D: b9 and b13 are in the key, the #11 from the symbol\n27 | B7sus4b9  # from the symbol: sus b9\n28 | B7        # extended dominant: each one falls a fifth into the next: natural tensions\nalt 28 | Cm6       # a minor sixth chord: Dorian\n29 | E9        # V7 of V7: the dominant of the dominant: natural tensions\n30 | A7        # V7 of D: natural tensions\n31 | D69       # tonic: the 4th is in the key\n32 | A13       # V7 of D: natural tensions\n\nsection: B\n1  | D69       # tonic: the 4th is in the key\n2  | N.C.\n3  | D69\n4  | D69\n5  | D69\n6  | D#dim7    # vii°7 of Em7: B7♭9 without its root\n7  | Em7       # ii of A7: Dorian\n8  | Em7\n9  | A7        # V7\u002FI in D: natural tensions\n10 | A7\n11 | A7\n12 | A7\n13 | A7\n14 | A7\n15 | C#m7b5    # iiø7 of F#7b13: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | F#7b13    # extended dominant: V7 of B7b9; b13 from the symbol\n17 | B7b9      # static dominant: its own mode; b9 from the symbol\n18 | B7b9\n19 | B7b9\n20 | B7b9\n21 | B7b9\n22 | Cdim7     # passing diminished: D7♭9 without its D, the G\u002FB's dominant; not functioning diatonically: the symmetric scale\n23 | G\u002FB       # IV: the #4 is the key’s 7th\n24 | G\u002FB\n25 | Gm6\u002FBb    # a minor sixth chord: Dorian\n26 | Gm6\u002FBb\n27 | D\u002FA       # tonic: the 4th is in the key\n28 | B7        # extended dominant: each one falls a fifth into the next: natural tensions\n29 | E9        # V7 of V7: the dominant of the dominant: natural tensions\n30 | A7        # V7 of D: natural tensions\n31 | D69       # tonic: the 4th is in the key\n32 | F#7b13    # V7\u002Fvi in D: b9 and b13 are in the key\n",1793484797708]