[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:anything-goes":3},"title: Anything Goes\ncomposer: Cole Porter\nstyle: Medium Swing\nkey: C\nform: AABC, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: Verse\noutside: yes\n# area: C minor (Verse 1–6)\n1  | Cm      # tonic minor: Dorian by convention\n2  | Ab      # a non-tonic major chord: Lydian\n3  | Cm      # tonic minor: Dorian by convention\n4  | Cm\n5  | Db      # a non-tonic major chord: Lydian\n6  | Db\n# area: F minor (Verse 7–15)\n7  | G7      # V7 of V7: the dominant of the dominant, on the way to F minor: b9 and b13 are in the key\n8  | G7\n9  | C7      # V7 of F minor, the chain's last link: b9 and b13 are in the key\n10 | C7\n11 | C7\n12 | Fm      # tonic minor: Dorian by convention\n13 | G7      # V7\u002Fv in F minor: b9 and b13 are in the key\n14 | Cm      # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n15 | G       # a non-tonic major chord: Lydian\n# area: C major (Verse 15 – A 9)\n15 | D7      # V7 of V7: the dominant of the dominant: natural tensions\n16 | G7      # V7 of C: natural tensions\n\nsection: A\n1  | C6      # tonic: the 4th is in the key\nalt 1  | CMaj7   # tonic: the 4th is in the key\nalt 1  | Dm7     # ii: Dorian, the key’s own notes\n2  | C6\nalt 2  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 2  | CMaj7   # tonic: the 4th is in the key\nalt 2  | Dm7     # ii: Dorian, the key’s own notes\nalt 2  | Dm7\n3  | C6\nalt 3  | CMaj7   # tonic: the 4th is in the key\nalt 3  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 3  | CMaj7   # tonic: the 4th is in the key\nalt 3  | Dm7     # ii: Dorian, the key’s own notes\nalt 3  | Dm7\nalt 3  | Dm7\n4  | C7      # V7\u002FIV in C: natural tensions\nalt 4  | Gm7     # ii of the ii–V to F\nalt 4  | C9      # V7\u002FIV in C: natural tensions\n5  | F6      # the C7 before it makes F the key of the moment: the 4th is in the key\n6  | Bb9     # back door bVII7 to C6: the #11 is in the key\nalt 6  | Dm7     # ii of the ii–V to C\nalt 6  | G9sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n7  | C6      # tonic: the 4th is in the key\n7  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n9  | C6      # tonic: the 4th is in the key\n# area: E major (A 10 – B 6)\n10 | F#m7    # ii of the ii–V to E\n10 | B7      # V7 of E: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | EMaj7   # tonic: the 4th is in the key\n1  | C#7b9   # V7\u002Fii in E: the b13 is in the key, the b9 from the symbol\n2  | F#m7    # ii of B7: Dorian\n2  | B7      # extended dominant: V7 of E7\n3  | E7      # I7 in E, not resolving: natural tensions\nalt 3  | CMaj9   # ♭VImaj7, borrowed from E minor: Lydian (its ♯11 is in the key)\n4  | B7      # V7 of E: natural tensions\n5  | Em7     # ii of the ii–V to D minor\n6  | A9      # V7\u002Fbvii in E: the #11 is in the key\nalt 6  | Em7\u002FD   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: C major (B 7 – C 7)\n7  | Dm9     # ii of the ii–V to C\nalt 7  | C#m7b5  # biiø7 in C: Locrian, its own mode (the chord is outside the key)\n8  | G7      # V7 of C: natural tensions\nalt 8  | Dm7     # ii of the ii–V to C\nalt 8  | G7      # V7 of C: natural tensions\n\nsection: C\n1  | C6      # tonic: the 4th is in the key\nalt 1  | CMaj7   # tonic: the 4th is in the key\nalt 1  | Dm7     # ii: Dorian, the key’s own notes\n2  | C6\nalt 2  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 2  | CMaj7   # tonic: the 4th is in the key\nalt 2  | Dm7     # ii: Dorian, the key’s own notes\nalt 2  | Dm7\n3  | C6\nalt 3  | CMaj7   # tonic: the 4th is in the key\nalt 3  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 3  | CMaj7   # tonic: the 4th is in the key\nalt 3  | Dm7     # ii: Dorian, the key’s own notes\nalt 3  | Dm7\nalt 3  | Dm7\n4  | C7      # V7\u002FIV in C: natural tensions\nalt 4  | Gm7     # ii of the ii–V to F\nalt 4  | C9      # V7\u002FIV in C: natural tensions\n5  | F6      # the C7 before it makes F the key of the moment: the 4th is in the key\n5  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Dm7     # ii of the ii–V to C\n6  | G9sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\nalt 6  | Bb9     # ♭VII7 from the parallel minor: Lydian Dominant\nalt 6  | G9sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n7  | C6      # tonic: the 4th is in the key\n7  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: C minor (C 8)\n8  | Dm7     # ii of the ii–V to C minor\n8  | G7      # V7 of C minor: b9 and b13 are in the key\n",1793575881631]