[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:antigua":3},"title: Antigua\nsubtitle: Samba\ncomposer: Roland Prince\nstyle: Latin\nkey: F\nform: AABC, 32 bars\n# analysis: 2026-10-19, rules v2; F\n\n# bar | chord | scale\n\nsection: A1\n1 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n3 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n5 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n7 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n\nsection: A2\n1 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n3 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n5 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n8 | Cm7     # ii of the ii–V to Bb\n8 | F7      # V7\u002FIV in F: natural tensions\n\nsection: B\n1 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n2 | Bdim7   # passing diminished: E7♭9 without its E, the Am7's dominant; not functioning diatonically: the symmetric scale\n3 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7      # V7\u002Fii in F: the b13 is in the key\n5 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | F       # tonic: the 4th is in the key\n8 | Cm7     # ii of the ii–V to Bb\n8 | F7      # V7\u002FIV in F: natural tensions\n\nsection: C\n1 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n2 | Bdim7   # passing diminished: E7♭9 without its E, the Am7's dominant; not functioning diatonically: the symmetric scale\n3 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7      # V7\u002Fii in F: the b13 is in the key\n5 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | F       # tonic: the 4th is in the key\n8 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n",1793484797653]