[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:anjo-de-mim":3},"title: Anjo de Mim\ncomposer: Ivan Lins\nstyle: Slow Bossa Nova\nkey: F#m\nform: ABAB, 39 bars\nrecording: Ivan Lins; Anjo de Mim; Velas; 1995\nyoutube: 5bcBgUw_Z2o\n# analysis: 2026-10-28, rules v2; F# minor\n# recording: Velas SL 11-V076, track 1 (5:20), the title track; Ivan Lins and Vitor Martins; the composer's own first recording (rule 1); sources: Discogs; video: Gravadora Galeão (the Velas catalogue's label) official upload, Anjo de Mim, © 1995 Velas\u002FGaleão, 5:17\n\nsection: Intro1\n# area: A major (Intro1 1 – B1 6)\n1  | Bm9      # ii of the ii–V to A\n2  | E7       # V7 of A: natural tensions\n3  | A69      # tonic: the 4th is in the key\n4  | F#m9     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n1  | Bm9      # ii of E13: Dorian\n2  | E13      # V7\u002FI in A: natural tensions\n2  | E7b9     # V7 of A: the b9 from the symbol\n3  | AMaj7    # tonic: the 4th is in the key\n4  | F#m11    # vi: Aeolian, the key's own notes (the ♭6 is a passing note); the repeat at A2 bar 4 would be F# Dorian\n5  | Bm9      # ii of E13: Dorian\n6  | E13      # V7\u002FI in A: natural tensions\n6  | Fdim7    # vii°7 of F#m9: C#7♭9 without its root\n7  | F#m9     # vi: Aeolian, the key's own notes (the ♭6 is a passing note); the repeat at A2 bar 7 would be F# Dorian\n8  | A13      # I7 in A, not resolving: natural tensions\n8  | A7b13    # V7\u002FIV in A: the b13 from the symbol\n@segno 1\n\nsection: B1\n1  | DMaj9    # the A7b13 before it makes D the key of the moment: the 4th is in the key\n1  | Bm7      # ii: Dorian, the key’s own notes\n2  | Bm7\u002FA    # ii: Dorian, the key’s own notes\n2  | G13      # ♭VII7 from the parallel minor: Lydian Dominant\n3  | C#13     # III7 in A, not resolving: the b9 is in the key, the 13 from the symbol\n3  | C#7b13   # extended dominant: V7 of F#9; b13 from the symbol\n4  | F#9      # VI7 in A, not resolving: the b13 is in the key\n4  | F#7b9    # VI7 in A, not resolving: the b13 is in the key, the b9 from the symbol\n5  | Cm9      # ii of F9: Dorian\n5  | F9       # extended ii–V: a side-step, its own key\n6  | Bm7      # ii: Dorian, the key’s own notes\n6  | Am7      # a borrowed minor chord: Dorian, its own key\n# area: F# minor (B1 6 – Coda 17)\n6  | G#m7     # ii of the ii–V to F# minor\n6  | C#7      # V7 of F# minor: b9 and b13 are in the key\n7  | F#m9     # tonic minor: Dorian by convention\n8  | F#7#9#5  # V7\u002Fiv in F# minor: the b13 is in the key, b9, #9 and #11 from the symbol\n@coda 7\n\nsection: A2\ncopy: A1\n\nsection: B2\n1  | DMaj9    # a non-tonic major chord: Lydian\n1  | Bm7      # iv: Dorian, the key’s own notes\n2  | Bm7\u002FA    # iv: Dorian, the key’s own notes\n2  | G13      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n3  | C#13     # V7 in F# minor, not resolving: the b9 is in the key, the 13 from the symbol\n3  | C#7b13   # extended dominant: V7 of F#9; b13 from the symbol\n4  | F#9      # I7 in F# minor, not resolving: the b13 is in the key\n4  | F#7b9    # I7 in F# minor, not resolving: the b13 is in the key, the b9 from the symbol\n5  | Cm9      # ii of F9: Dorian\n5  | F9       # extended ii–V: a side-step, its own key\n6  | Bm7      # iv: Dorian, the key’s own notes\n6  | Am7      # a borrowed minor chord: Dorian, its own key\n6  | G#m7     # ii of the ii–V to F# minor\n6  | C#7      # V7 of F# minor: b9 and b13 are in the key\n7  | F#m9     # ii of B13#11: Dorian\n8  | B13#11   # extended dominant: V7 of E9; #11 from the symbol\n9  | E9       # bVII7 in F# minor, not resolving: natural tensions\n9  | D13      # tritone substitute: resolves down a half step to C#m7\n10 | C#m7     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n10 | F#m7     # tonic minor: Dorian by convention\n11 | Bm11     # iv: Dorian, the key’s own notes\n11 | D13      # tritone substitute: resolves down a half step to C#m7\n12 | C#m7     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n12 | F#m7     # tonic minor: Dorian by convention\n13 | Bm11     # ii of E9: Dorian\n13 | E9       # V7\u002FbIII in F# minor: natural tensions\n14 | F#m9     # tonic minor: Dorian by convention\n15 | F#m7     # tonic minor: Dorian by convention\n@coda 7\n@nav 15 D.S. al Coda\n\nsection: Coda\n1  | A13      # bIII7 in F# minor, not resolving: natural tensions\n1  | A7b13    # V7\u002FbVI in F# minor: the b13 from the symbol\n2  | DMaj9    # a non-tonic major chord: Lydian\n2  | Bm11     # iv: Dorian, the key’s own notes\n3  | Bm7\u002FA    # iv: Dorian, the key’s own notes\n3  | G13      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n4  | C#13     # V7 in F# minor, not resolving: the b9 is in the key, the 13 from the symbol\n4  | C#7b13   # extended dominant: V7 of F#9; b13 from the symbol\n5  | F#9      # I7 in F# minor, not resolving: the b13 is in the key\n5  | F#7      # I7 in F# minor, not resolving: the b13 is in the key\n6  | Cm9      # ii of F9: Dorian\n7  | F9       # extended ii–V: a side-step, its own key\n8  | Bm7      # iv: Dorian, the key’s own notes\n8  | Am11     # a borrowed minor chord: Dorian, its own key\n9  | G#m7     # ii of the ii–V to F# minor\n9  | C#7      # V7 of F# minor: b9 and b13 are in the key\n10 | F#m9     # ii of B13: Dorian\n11 | B13      # extended dominant: V7 of E9\n12 | E9       # bVII7 in F# minor, not resolving: natural tensions\n12 | D13      # tritone substitute: resolves down a half step to C#m11\n13 | C#m11    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n13 | F#m9     # tonic minor: Dorian by convention\n14 | Bm11     # iv: Dorian, the key’s own notes\n14 | D13      # tritone substitute: resolves down a half step to C#m7\n15 | C#m7     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n15 | F#m7     # tonic minor: Dorian by convention\n16 | Bm11     # iv: Dorian, the key’s own notes\n16 | D13      # tritone substitute: resolves down a half step to C#m7\n17 | C#m7     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n17 | F#m7     # tonic minor: Dorian by convention\n@coda 1\n",1793484797609]