[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:angel-eyes":3},"title: Angel Eyes\ncomposer: Matt Dennis\nstyle: Medium ballad\nkey: Cm\nform: AABA, 32 bars\nrecording: Frank Sinatra; Frank Sinatra Sings for Only the Lonely; Capitol; 1958\nyoutube: TuLnrtQbp5w\n# analysis: 2026-10-19, rules v2; C minor\n# recording: recorded 1958-05-29, Capitol Studio A, Hollywood, arranged by Nelson Riddle, conducted by Felix Slatkin, Capitol W-1053, released 1958-09-08; songbook standard → Sinatra's reading is the reference; sources: Wikipedia, MusicBrainz, YouTube Topic credits; video: \"Provided to YouTube by Universal Music Group\", Sings For Only The Lonely (1958 Mono Mix), the same take\n# the book letters the form A (two 8-bar A's, written out), B, C\n# alt: bars 1–2, 5–6, 9–10, 13–14, 25–26, 29–30 (Cm Cm\u002FBb Adim7 Abdim7 | Cm\u002FG) or (Cm Eb\u002FC D\u002FC Db\u002FC | Cm)\n\n# bar | chord\n\nsection: A\n# area: C minor (A 1–16)\n1  | Cm      # tonic minor: Dorian by convention\n1  | D7      # V7 of V7: the dominant of the dominant, on the way to C minor: b9 and b13 are in the key\n1  | G7      # V7 of C minor, the chain's last link: b9 and b13 are in the key\n2  | Cm      # tonic minor: Dorian by convention\n2  | Ab9     # bVI7 in C minor, not resolving: the #11 is in the key\n3  | Cm      # tonic minor: Dorian by convention\n3  | Am7b5   # viø7 in C minor: Locrian, its own mode (the chord is outside the key)\n# alt: bar 3 (F13) for Am7b5\n4  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | G7      # V7 of C minor: b9 and b13 are in the key\n5  | Cm      # tonic minor: Dorian by convention\n5  | D7      # V7 of V7: the dominant of the dominant, on the way to C minor: b9 and b13 are in the key\n5  | G7      # V7 of C minor, the chain's last link: b9 and b13 are in the key\n6  | Cm      # tonic minor: Dorian by convention\n6  | A7alt   # from the symbol: altered\n7  | Ab9     # tritone substitute: resolves down a half step to G7#5\n7  | G7#5    # V7 of C minor: b9 and b13 are in the key, the #11 from the symbol\n8  | Cm      # tonic minor: Dorian by convention\n8  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G7      # V7 of C minor: b9 and b13 are in the key\n9  | Cm      # tonic minor: Dorian by convention\n9  | D7      # V7 of V7: the dominant of the dominant, on the way to C minor: b9 and b13 are in the key\n9  | G7      # V7 of C minor, the chain's last link: b9 and b13 are in the key\n10 | Cm      # tonic minor: Dorian by convention\n10 | Ab9     # bVI7 in C minor, not resolving: the #11 is in the key\n11 | Cm      # tonic minor: Dorian by convention\n11 | Am7b5   # viø7 in C minor: Locrian, its own mode (the chord is outside the key)\n# alt: bar 11 (F13) for Am7b5\n12 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | G7      # V7 of C minor: b9 and b13 are in the key\n13 | Cm      # tonic minor: Dorian by convention\n13 | D7      # V7 of V7: the dominant of the dominant, on the way to C minor: b9 and b13 are in the key\n13 | G7      # V7 of C minor, the chain's last link: b9 and b13 are in the key\n14 | Cm      # tonic minor: Dorian by convention\n14 | A7alt   # from the symbol: altered\n15 | Ab9     # tritone substitute: resolves down a half step to G7#5\n15 | G7#5    # V7 of C minor: b9 and b13 are in the key, the #11 from the symbol\n16 | Cm      # tonic minor: Dorian by convention\n\nsection: B\n# area: Ab major (B 1–4)\n1  | Bbm9    # ii of the ii–V to Ab\n1  | Eb13    # V7 of Ab: natural tensions\n2  | AbMaj7  # tonic: the 4th is in the key\n2  | Adim7   # vii°7 of Bbm9: F7♭9 without its root\n3  | Bbm9    # ii of the ii–V to Ab\n3  | Eb13    # V7 of Ab: natural tensions\n4  | AbMaj7  # tonic: the 4th is in the key\n# area: G major (B 5–7)\n5  | Am9     # ii of the ii–V to G\n5  | D13     # V7 of G: natural tensions\n6  | GMaj7   # tonic: the 4th is in the key\n# alt: bar 6 beat 3 (CMaj7)\n7  | C#m7    # ii of F#7: Dorian\n7  | F#7     # extended ii–V: a side-step, its own key\n# area: C minor (B 8 – Ending 3)\n8  | Dm7     # ii of the ii–V to C minor\n8  | G7      # V7 of C minor: b9 and b13 are in the key\n\nsection: C\n1  | Cm      # tonic minor: Dorian by convention\n1  | D7      # V7 of V7: the dominant of the dominant, on the way to C minor: b9 and b13 are in the key\n1  | G7      # V7 of C minor, the chain's last link: b9 and b13 are in the key\n2  | Cm      # tonic minor: Dorian by convention\n2  | Ab9     # bVI7 in C minor, not resolving: the #11 is in the key\n3  | Cm      # tonic minor: Dorian by convention\n3  | Am7b5   # viø7 in C minor: Locrian, its own mode (the chord is outside the key)\n# alt: bar 3 (F13) for Am7b5\n4  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | G7      # V7 of C minor: b9 and b13 are in the key\n5  | Cm      # tonic minor: Dorian by convention\n5  | D7      # V7 of V7: the dominant of the dominant, on the way to C minor: b9 and b13 are in the key\n5  | G7      # V7 of C minor, the chain's last link: b9 and b13 are in the key\n6  | Cm      # tonic minor: Dorian by convention\n6  | A7alt   # from the symbol: altered\n7  | Ab9     # tritone substitute: resolves down a half step to G7#5\n7  | G7#5    # V7 of C minor: b9 and b13 are in the key, the #11 from the symbol\n8  | Cm      # tonic minor: Dorian by convention\n# alt (optional): bar 8 (Dm7b5 G7), the turnaround\n\nsection: Ending\nbars: 4\n# Ending (freely), the last chord held\n1  | Ab9     # tritone substitute: resolves down a half step to G7#9\n2  | G7#9    # V7 of C minor: the b13 is in the key, b9, #9 and #11 from the symbol\n3  | Cm      # tonic minor: Dorian by convention\n",1793484797602]