[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:and-the-angels-sing":3},"title: And The Angels Sing\ncomposer: Ziggy Elman\nstyle: Medium Swing\nkey: Eb\nform: AAB, 42 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A\n1  | Eb6     # tonic: the 4th is in the key\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n4  | Eb9     # I7 in Eb, not resolving: natural tensions\n5  | Fm7     # ii: Dorian, the key’s own notes\n5  | C7b13   # extended dominant: each one falls a fifth into the next: the b13 from the symbol\n6  | F9      # V7 of V7: the dominant of the dominant: natural tensions\n6  | Bb7     # V7 of Eb: natural tensions\n7  | Eb6     # tonic: the 4th is in the key\n7  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb13    # V7 of Eb: natural tensions\n9  | Eb6     # tonic: the 4th is in the key\n9  | Bb9sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n10 | Eb6     # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Bbm7    # ii of Eb7: Dorian\n1  | Eb7     # V7\u002FIV in Eb: natural tensions\n2  | Bbm7    # ii of Eb7: Dorian\n2  | Eb7     # V7\u002FIV in Eb: natural tensions\n3  | Ebdim7  # auxiliary diminished: it decorates the chord and returns to it\n3  | Eb7     # I7 in Eb, not resolving: natural tensions\n4  | Bbm7    # ii of Eb7: Dorian\n4  | Eb7     # V7\u002FIV in Eb: natural tensions\n5  | Bbm7    # ii of Eb7: Dorian\n5  | Eb7     # V7\u002FIV in Eb: natural tensions\n6  | Bbm7    # ii of Eb7: Dorian\n6  | Eb7     # V7\u002FIV in Eb: natural tensions\n7  | Bbm7    # ii of Eb7: Dorian\n8  | Eb7     # V7\u002FIV in Eb: natural tensions\n9  | Bbm7    # ii of Eb7: Dorian\n9  | Eb7     # V7\u002FIV in Eb: natural tensions\n10 | Bbm7    # ii of Eb7: Dorian\n10 | Eb7     # V7\u002FIV in Eb: natural tensions\n11 | Ebdim7  # auxiliary diminished: it decorates the chord and returns to it\n11 | Eb7     # I7 in Eb, not resolving: natural tensions\n12 | Bbm7    # ii of the ii–V to Ab\n12 | Eb7     # V7\u002FIV in Eb: natural tensions\n13 | Ab6     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n13 | Fm7     # ii: Dorian, the key’s own notes\n13 | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n14 | F9      # V7 of V7: the dominant of the dominant: natural tensions\n14 | Bb7     # V7 of Eb: natural tensions\n15 | Eb6     # tonic: the 4th is in the key\n15 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n16 | Fm7     # ii of the ii–V to Eb\n16 | Bb13    # V7 of Eb: natural tensions\n17 | Eb6     # tonic: the 4th is in the key\n17 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n18 | Fm7     # ii of the ii–V to Eb\n18 | Bb13    # V7 of Eb: natural tensions\n19 | Eb6     # tonic: the 4th is in the key\n20 | Fm7     # ii of Bb7: Dorian\n20 | Bb7     # V7\u002FI in Eb: natural tensions\n21 | G7      # extended dominant: V7 of C7\n22 | C7      # VI7 in Eb, not resolving: the b13 is in the key\n22 | Bdim    # vii°7 of Cm: G7♭9 without its root\n22 | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n23 | Fm7     # ii: Dorian, the key’s own notes\n24 | Fm7b5   # iiø7, borrowed from Eb minor: Locrian\n24 | Db9     # back door bVII7 to Eb6: the #11 is in the key\n25 | Eb6     # tonic: the 4th is in the key\n25 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n26 | Fm7     # ii of the ii–V to Eb\n26 | Bb7     # V7 of Eb: natural tensions\n@nav 15 D.C. al 3rd end.\n",1793575881488]