[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ana-maria":3},"title: Ana Maria\ncomposer: Wayne Shorter\nstyle: Bossa nova\nkey: G\nform: ABC, 50 bars\nrecording: Wayne Shorter; Native Dancer; Columbia; 1975\nyoutube: IrftwtFICbI\n# analysis: 2026-10-19, rules v2; G\n# recording: recorded 1974-09-12, released 1975, the first recording of it; with Milton Nascimento, Herbie Hancock, Airto Moreira (Wikipedia, YouTube Topic credits)\n# the book: intro \"Half-time Rock Feel\", A–C \"(Bossa Nova)\" with \"(Rock Feel)\" bars; rock feel is half time (backbeat on 3)\n# the book's \"(2)\" bars are two-bar repeats, written out here\n# the book's 13sus chords are written 9sus4 (G13sus → G9sus4); its (add 9) triads as plain triads\n\n# bar | chord\n\nsection: Intro\n# area: G major (Intro 1 – B 5)\n1  | G7sus4b9    # from the symbol: sus b9\n2  | EbMaj9\u002FG    # ♭VImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n3  | G7sus4b9    # from the symbol: sus b9\n4  | EbMaj9\u002FG    # ♭VImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n5  | G7sus4b9    # from the symbol: sus b9\n6  | EbMaj9\u002FG    # ♭VImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n7  | G7sus4b9    # from the symbol: sus b9\n8  | EbMaj9\u002FG    # ♭VImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n\nsection: A\n1  | GMaj7       # tonic: the 4th is in the key\n2  | Eb(add9)\u002FG  # ♭VI, borrowed from G minor: Lydian (its ♯11 is in the key)\n3  | G13sus      # static sus: Mixolydian\n4  | Eb(add9)\u002FG  # ♭VI, borrowed from G minor: Lydian (its ♯11 is in the key)\n5  | DbMaj7\u002FF    # a non-tonic major chord: Lydian\n6  | GbMaj7#11   # from the symbol: #11\n7  | Abm7        # a borrowed minor chord: Dorian, its own key\n8  | Bb\u002FAb       # ♭III, borrowed from G minor: Lydian (its ♯11 is in the key)\n9  | Gm7         # ii of C9sus4: Dorian\n10 | C9sus4      # static sus: Mixolydian\n11 | D\u002FC         # V without its 7th: Mixolydian, the key’s own notes\n12 | C9sus4      # static sus: Mixolydian\n13 | Ab(add9)\u002FC  # ♭II, borrowed from G Phrygian: Lydian (its ♯11 is in the key)\n15 | G7sus4b9    # from the symbol: sus b9\n16 | EbMaj9\u002FG    # ♭VImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n17 | G7sus4b9    # from the symbol: sus b9\n18 | EbMaj9\u002FG    # ♭VImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n\nsection: B\nbars: 16\n1  | GMaj7       # tonic: the 4th is in the key\n2  | G13sus      # static sus: Mixolydian\n3  | Eb\u002FF        # ♭VI, borrowed from G minor: Lydian (its ♯11 is in the key)\n3  | E7#9b5      # tritone substitute: resolves down a half step to Eb9sus4; b9 and #9 from the symbol\n4  | Eb9sus4     # static sus: Mixolydian\n5  | DMaj7       # a non-tonic major chord: Lydian\n# area: Bb minor (B 5 – Ending 2)\n5  | F7#5        # V7 of Bb minor: b9 and b13 are in the key, the #11 from the symbol\n6  | Bbm(add9)   # tonic minor: Dorian by convention\n7  | Abm7        # a borrowed minor chord: Dorian, its own key\n8  | Bb\u002FAb       # a non-tonic major chord: Lydian\n9  | Gm7         # ii of C9sus4: Dorian\n10 | C9sus4      # static sus: Mixolydian\n11 | BbMaj7      # a non-tonic major chord: Lydian\n11 | Am7         # a borrowed minor chord: Dorian, its own key\n12 | Fm9         # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n13 | Bb7sus4b9   # from the symbol: sus b9\n15 | Db13sus     # static sus: Mixolydian\n\nsection: C\nbars: 18\n1  | Bm9         # a borrowed minor chord: Dorian, its own key\n3  | Ebm7        # iv: Dorian, the key’s own notes\n5  | DMaj7       # a non-tonic major chord: Lydian\n5  | F7#5        # V7 of Bb minor: b9 and b13 are in the key, the #11 from the symbol\n6  | Bbm(add9)   # tonic minor: Dorian by convention\n7  | Abm7        # a borrowed minor chord: Dorian, its own key\n8  | Bb\u002FAb       # a non-tonic major chord: Lydian\n9  | Gm7         # ii of C9sus4: Dorian\n10 | C9sus4      # static sus: Mixolydian\n11 | BbMaj7      # a non-tonic major chord: Lydian\n11 | Am7         # a borrowed minor chord: Dorian, its own key\n12 | Fm9         # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n12 | Em7         # a borrowed minor chord: Dorian, its own key\n13 | G7sus4b9    # from the symbol: sus b9\n14 | EbMaj9\u002FG    # a non-tonic major chord: Lydian\n15 | G7sus4b9    # from the symbol: sus b9\n16 | EbMaj9\u002FG    # a non-tonic major chord: Lydian\n\nsection: Ending\nbars: 4\n# repeat to A; then the book's letter D: soprano solo over a two-bar vamp, repeat and fade\n1  | G7sus4b9    # from the symbol: sus b9\n2  | EbMaj9\u002FG    # a non-tonic major chord: Lydian\n",1793484797581]