[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:among-my-souvenirs":3},"title: Among My Souvenirs\ncomposer: Horatio Nicholls\nstyle: Ballad\nkey: Eb\nform: AABA, 33 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n2  | Fm7     # ii of Bb7: Dorian\n2  | Bb7     # V7\u002FI in Eb: natural tensions\n3  | Fm7     # ii of the ii–V to Eb\n3  | Bb7     # V7 of Eb: natural tensions\n4  | EbMaj7  # tonic: the 4th is in the key\n4  | Ab7     # tritone substitute: resolves down a half step to Gm7\n5  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Gb7     # tritone substitute: resolves down a half step to Fm7\n6  | Fm7     # ii of the ii–V to Eb\n7  | Bb7     # V7 of Eb: natural tensions\n8  | EbMaj7  # tonic: the 4th is in the key\n9  | EbMaj7\n10 | Eb7     # V7\u002FIV in Eb: natural tensions\n@ending 1 8\n@ending 2 9 10\n\nsection: B\n1  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n4  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Fm7     # ii of Bb7: Dorian\n6  | Bb7     # V7\u002FI in Eb: natural tensions\n7  | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n7  | Cm7     # ii of F7: Dorian\n8  | F7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n\nsection: A2\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n2  | Fm7     # ii of Bb7: Dorian\n2  | Bb7     # V7\u002FI in Eb: natural tensions\n3  | Fm7     # ii of the ii–V to Eb\n3  | Bb7     # V7 of Eb: natural tensions\n4  | EbMaj7  # tonic: the 4th is in the key\n4  | Ab7     # tritone substitute: resolves down a half step to Gm7\n5  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Gb7     # tritone substitute: resolves down a half step to Fm7\n6  | Fm7     # ii of the ii–V to Eb\n7  | Bb7     # V7 of Eb: natural tensions\n8  | Eb6     # tonic: the 4th is in the key\n",1793575881397]