[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:amigos-meus":3},"title: Amigos Meus\ncomposer: Toquinho\nstyle: Bossa Nova\nkey: C\nform: AABCC, 64 bars\nrecording: Toquinho & Vinicius; Um Pouco de Ilusão; Ariola; 1980\n# analysis: 2026-10-28, rules v2; C\n# recording: Ariola 201 600 (Brazil, 1980), B6 (4:16), their last album together; the composers' own first recording (rule 1); sources: Discogs (credits on the 1981 Yugoslav issue: Toquinho and Vinicius de Moraes); video: none (no official upload found)\n\nsection: A\n1  | C6      # tonic: the 4th is in the key\n2  | G7\u002FB    # V7 of the C6 before it: natural tensions\n3  | Gm6\u002FBb  # a minor sixth chord: Dorian\n4  | C7      # V7\u002FIV in C: natural tensions\n5  | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n6  | F#dim7  # passing diminished: D7♭9 without its D, the G7's dominant; not functioning diatonically: the symmetric scale\n7  | G7      # V7 in C, not resolving: natural tensions\n8  | Fm6\u002FAb  # a minor sixth chord: Dorian\n9  | Am7     # ii of the ii–V to G minor\n9  | D7      # V7\u002Fv in C: natural tensions\n10 | Gm7     # ii of the ii–V to F\n10 | C7      # V7\u002FIV in C: natural tensions\n11 | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n12 | FMaj7\n13 | G7      # V7 in C, not resolving: natural tensions\n14 | G9      # V7 of C: natural tensions\n15 | C6      # tonic: the 4th is in the key\n16 | G7      # extended dominant: V7 of C7\n17 | C7      # extended dominant: V7 of F7\n@ending 1 16\n@ending 2 17\n\nsection: B\n1  | F7      # IV7 in C, not resolving: the #11 is in the key\n2  | F7\n3  | CMaj7   # tonic: the 4th is in the key\n4  | CMaj7\n5  | F7      # IV7 in C, not resolving: the #11 is in the key\n6  | F7\n7  | Gm7     # ii of C7: Dorian\n8  | C7      # V7\u002FIV in C: natural tensions\n9  | F#m7b5  # #ivø7 in C: Locrian, its own mode (the chord is outside the key)\n10 | Fm6     # a minor sixth chord: Dorian\n11 | Em6     # a minor sixth chord: Dorian\n12 | A7      # V7\u002Fii in C: the b13 is in the key\n13 | Dm7     # ii of G7: Dorian\n14 | G7      # V7\u002FI in C: natural tensions\n15 | Gm7     # ii of the ii–V to F\n16 | C7      # V7\u002FIV in C: natural tensions\n\nsection: C1\n1  | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key; the repeat at C2 bar 1 would be F Lydian\n2  | Bb7     # ♭VII7 from the parallel minor: Lydian Dominant\n3  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | A7#5    # extended dominant: each one falls a fifth into the next: #11 and b13 from the symbol\n5  | D7      # V7 of V7: the dominant of the dominant: natural tensions\n6  | G7      # V7 of C: natural tensions\n7  | C6      # tonic: the 4th is in the key\n8  | G7      # V7 of the C6 before it: natural tensions\n\nsection: C2\ncopy: C1\n",1793484797529]