[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:amazonia":3},"title: Amazonia\ncomposer: Ana Caram\nstyle: Samba\nkey: G\nform: ABBCDD, 104 bars\nrecording: Ana Caram; Amazonia; Chesky; 1990\nyoutube: 5302LuxtjNQ\n# analysis: 2026-10-28, rules v2; G\n# recording: Chesky Records JD45, track 8 (7:42), the title track of her second album, written by Ana Caram; the composer's own first recording (rule 1); sources: Discogs; video: Ana Caram - Topic \"Provided to YouTube\" upload (Entertainment One Distribution US), Amazonia, ℗ Chesky Records, released 1990-09-05, 7:42\n\nsection: Intro1\n# area: G major (Intro1 1 – A 30)\n1  | G7#11     # static dominant: its own mode; #11 from the symbol\n2  | G7#11\n3  | G7#11\n4  | G7#11\n\nsection: Intro2\ncopy: Intro1\n\nsection: A\n1  | G7#11     # extended dominant: V7 of C9\u002FG; #11 from the symbol\n2  | G7#11\n3  | G7#11\n4  | G7#11\n5  | G7#11\n6  | G7#11\n7  | G7#11\n8  | G7#11\n9  | G7#11\n10 | G7#11\n11 | G7#11\n12 | G7#11\n13 | C9\u002FG      # tritone substitute: resolves down a half step to B7#9\u002FG\n14 | C9\u002FG\n15 | C9\u002FG\n16 | C9\u002FG\n17 | C9\u002FG\n18 | C9\u002FG\n19 | C9\u002FG\n20 | C9\u002FG\n21 | B7#9\u002FG    # tritone substitute: resolves down a half step to Bb7\u002FG; b9 and #9 from the symbol\n22 | B7#9\u002FG\n23 | B7#9\u002FG\n24 | B7#9\u002FG\n25 | Bb7\u002FG     # static dominant: its own mode\n26 | Bb7\u002FG\n27 | Bb7\u002FG\n28 | Bb7\u002FG\n29 | Am7b5     # iiø7, borrowed from G minor: Locrian\n30 | Am7b5\n# area: G minor (A 31 – D 20)\n31 | Am7b5\u002FD   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n32 | D7b5      # V7 of G minor: 9, #11 and 13 from the symbol\n@segno 1\n\nsection: B1\n1  | Gm9       # tonic minor: Dorian by convention\n2  | Gm9\n3  | Gm9\n4  | Gm9\n5  | F9sus     # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6  | F9        # bVII7 in G minor, not resolving: natural tensions\n7  | F9sus     # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | F9        # bVII7 in G minor, not resolving: natural tensions\n9  | Eb9sus    # ♭VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n10 | Eb9       # bVI7 in G minor, not resolving: the #11 is in the key\n11 | Eb9sus    # ♭VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n12 | Eb9       # bVI7 in G minor, not resolving: the #11 is in the key\n13 | Am7b5     # iiø7 of D7sus: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | D7sus     # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n15 | D7sus\n16 | D7#9      # V7 of G minor: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: B2\ncopy: B1\n\nsection: C\n1  | Cm7       # ii of F9sus: Dorian\n2  | Cm7\n3  | F9sus     # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4  | F9        # V7\u002FbIII in G minor: natural tensions\n5  | BbMaj7#5  # from the symbol: #5\n6  | BbMaj9    # bIII of G minor: the relative major itself\n7  | BbMaj9\n8  | BbMaj9\n9  | Am7b5     # iiø7 of D7b9#5: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | Am7b5\n11 | D7b9#5    # V7\u002Fi in G minor: b9 and b13 are in the key, the #11 from the symbol\n12 | D7b9#5\n13 | Dm7b5     # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | G7b9      # V7\u002Fiv in G minor: the b13 is in the key, the b9 from the symbol\n15 | Cm7       # iv: Dorian, the key’s own notes\n16 | D7b9#5    # V7 of G minor: b9 and b13 are in the key, the #11 from the symbol\n\nsection: D\n1  | Gm9       # tonic minor: Dorian by convention\n2  | Em7b5     # iiø7 of A13b9: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | A13b9     # V7 of V7: the dominant of the dominant: the b9 from the symbol\n4  | D7b9#5    # V7 in G minor, not resolving: b9 and b13 are in the key, the #11 from the symbol\n5  | Dm7b5     # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7b9#5    # V7\u002Fiv in G minor: the b13 is in the key, b9 and #11 from the symbol\n7  | Cm7       # iv: Dorian, the key’s own notes\n8  | D7b9#5    # V7 of G minor: b9 and b13 are in the key, the #11 from the symbol\n9  | Gm9       # tonic minor: Dorian by convention\n10 | Gm9\n11 | Am9\u002FG     # a borrowed minor chord: Dorian, its own key\n12 | Am9\u002FG\n13 | Gm9       # tonic minor: Dorian by convention\n14 | Gm9\n15 | Am9\u002FG     # a borrowed minor chord: Dorian, its own key\n16 | Am9\u002FG\n17 | Gm9       # tonic minor: Dorian by convention\n18 | Gm9\n19 | Am9\u002FG     # a borrowed minor chord: Dorian, its own key\n20 | Am9\u002FG\n@nav 19 D.S. al Fine\n@ending 1 5 8\n@ending 2 9 20\n",1793484797521]