[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:am-i-blue":3},"title: Am I Blue?\ncomposer: Harry Akst\nstyle: Medium Swing\nkey: F\nform: AABC, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n1  | FMaj7  # tonic: the 4th is in the key\n2  | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | D7     # V7\u002Fii in F: the b13 is in the key\n3  | Gm7    # ii of C7: Dorian\n4  | C7     # extended dominant: V7 of F7\n5  | F7     # I7 in F, not resolving: natural tensions\n5  | D7     # extended dominant: each one falls a fifth into the next: natural tensions\n6  | G7     # V7 of V7: the dominant of the dominant: natural tensions\n6  | C7     # V7 of F: natural tensions\n7  | F6     # tonic: the 4th is in the key\n7  | D7     # V7\u002Fii in F: the b13 is in the key\n8  | Gm7    # ii of the ii–V to F\n8  | C7     # V7 of F: natural tensions\n9  | F6     # tonic: the 4th is in the key\n10 | E7b9   # V7\u002Fiii in F: b9 and b13 are in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Am7\n3  | Bm7b5  # iiø7 of E7b13: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | E7b13  # V7\u002Fiii in F: b9 and b13 are in the key\n5  | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | E7b13  # V7\u002Fiii in F: b9 and b13 are in the key\n7  | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | D7     # V7\u002Fii in F: the b13 is in the key\n8  | Gm7    # ii of the ii–V to F\n8  | C7     # V7 of F: natural tensions\n\nsection: C\n1  | FMaj7  # tonic: the 4th is in the key\n2  | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | D7     # V7\u002Fii in F: the b13 is in the key\n3  | Gm7    # ii of C7: Dorian\n4  | C7     # extended dominant: V7 of F7\n5  | F7     # I7 in F, not resolving: natural tensions\n5  | D7     # extended dominant: each one falls a fifth into the next: natural tensions\n6  | G7     # V7 of V7: the dominant of the dominant: natural tensions\n6  | C7     # V7 of F: natural tensions\n7  | F6     # tonic: the 4th is in the key\n8  | Gm7    # ii of the ii–V to F\n8  | C7     # V7 of F: natural tensions\n",1793575881338]