[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:along-came-betty":3},"title: Along Came Betty\ncomposer: Benny Golson\nstyle: Medium\nkey: Ab\nform: ABCD\nrecording: Art Blakey and the Jazz Messengers; Moanin'; Blue Note; 1958\nyoutube: 6lJeothOwCU\n# analysis: 2026-10-19, rules v2; Ab\n# recording: recorded 1958-10-30, Van Gelder Studio, Hackensack (Lee Morgan, Benny Golson, Bobby Timmons, Jymie Merritt), the first recording of it, with the composer on tenor, BLP 4003 (jazzdisco, MusicBrainz, Wikipedia); video: \"Provided to YouTube by Universal Music Group\", Moanin', the same take\n\n# bar | chord | scale\n# as the lead sheet lays it out; the last bar is the turnaround into the top\n\nsection: A\n# area: Ab major (A 1–3)\n1  | Bbm7    # ii: Dorian, the key’s own notes\n2  | Bm7     # a borrowed minor chord: Dorian, its own key\n3  | Bbm7    # ii: Dorian, the key’s own notes\n# area: A major (A 4–5)\n4  | Bm7     # ii of the ii–V to A\n4  | E7      # V7 of A: natural tensions\n5  | AMaj7   # tonic: the 4th is in the key\n# area: G major (A 6 – B 3)\n6  | Ab7     # tritone substitute: resolves down a half step to GMaj7\n7  | GMaj7   # tonic: the 4th is in the key\n8  | F#7     # VII7 in G, not resolving: b9 and b13 are in the key\n\nsection: B\n1  | F#m7    # a borrowed minor chord: Dorian, its own key\n2  | Gm7     # a borrowed minor chord: Dorian, its own key\n3  | F#m7    # a borrowed minor chord: Dorian, its own key\n# area: F major (B 4–6)\n4  | Gm7     # ii of the ii–V to F\n4  | C7#9    # V7 of F: b9, #9 and #11 from the symbol\n5  | FMaj7   # tonic: the 4th is in the key\n6  | A7#9    # V7\u002Fvi in F: the b13 is in the key, b9, #9 and #11 from the symbol\n# area: Ab major (B 7 – C 1)\n7  | Dm7     # ii of the ii–V to C minor\n8  | G9      # V7\u002Fiii in Ab: the b13 is in the key, the 9 from the symbol\n\nsection: C\n1  | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: G minor (C 3 – D 6)\n3  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | D7#9    # V7 of G minor: the b13 is in the key, b9, #9 and #11 from the symbol\n4  | Gm7     # tonic minor: Dorian by convention\n5  | Em7b5   # iiø7 of A7: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | A7      # V7\u002Fv in G minor: b9 and b13 are in the key\n6  | Fm7     # ii of Bb7: Dorian\n7  | Bb7     # V7\u002FbVI in G minor: natural tensions\n\nsection: D\nbars: 13\n1  | Bbm7    # a borrowed minor chord: Dorian, its own key\n2  | Bm7     # a borrowed minor chord: Dorian, its own key\n3  | Bbm7    # a borrowed minor chord: Dorian, its own key\n4  | Bm7     # ii of E7: Dorian\n4  | E7      # extended ii–V: a side-step, its own key\n5  | Cm7b5   # iiø7 of F7#9: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | F7#9    # V7\u002Fbiii in G minor: b9, #9 and #11 from the symbol\n# area: Ab major (D 7–10)\n7  | Bbm7b5  # iiø7 of Ab: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | Eb7#9   # V7 of Ab: b9, #9 and #11 from the symbol\n9  | AbMaj7  # tonic: the 4th is in the key\n10 | Bm7     # ii of E7: Dorian\n10 | E7      # extended ii–V: a side-step, its own key\n",1793484797514]