[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:alone-together":3},"title: Alone Together\ncomposer: Arthur Schwartz\nstyle: Medium\nkey: Dm\nform: AABC, 44 bars\nrecording: Chet Baker; Chet; Riverside; 1959\nyoutube: 60DqJFji52A\n# analysis: 2026-10-19, rules v2; D minor\n# recording: recorded 1958-12-30 or 1959-01-19 (jazzdisco lists both dates), Reeves Sound Studios, New York, with Herbie Mann, Pepper Adams, Bill Evans, Paul Chambers, Connie Kay, RLP 12-299, the album's opener; songbook standard (1932 revue) → a well-known instrumental reading, over Kenny Dorham's Jazz Contrasts and Miles Davis's Blue Moods; sources: jazzdisco, Wikipedia; video: \"Provided to YouTube by Universal Music Group\", Chet, the same take (not \"Complete Take 2\")\n\n# bar | chord | scale\n\nsection: A1\nbars: 14\n# area: D minor (A1 1–9)\n1  | Dm     # tonic minor: Dorian by convention\n2  | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | A7#9   # V7 of D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n3  | Dm     # tonic minor: Dorian by convention\n4  | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | A7#9   # V7 of D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n5  | Dm     # tonic minor: Dorian by convention\n6  | Am7b5  # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | D7#9   # V7\u002Fiv in D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n7  | Gm     # iv: Dorian, the key’s own notes\n9  | Bm7    # ii of E7: Dorian\n9  | E7     # extended ii–V: a side-step, its own key\n# area: F major (A1 10–11)\n10 | Gm7    # ii of the ii–V to F\n10 | C7     # V7 of F: natural tensions\n11 | FMaj7  # tonic: the 4th is in the key\n# area: D major (A1 12–13)\n12 | Em7    # ii of the ii–V to D\n12 | A7     # V7 of D: natural tensions\n13 | DMaj7  # tonic: the 4th is in the key\n\nsection: A2\ncopy: A1\n\nsection: B\n# area: D minor (B 1–3)\n1  | Am7b5  # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | D7b9   # V7\u002Fiv in D minor: the b13 is in the key, the b9 from the symbol\n3  | Gm     # iv: Dorian, the key’s own notes\n# area: F major (B 5–7)\n5  | Gm7b5  # iiø7 of F: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | C7b9   # V7 of F: the b9 from the symbol\n7  | FMaj7  # tonic: the 4th is in the key\n# area: D minor (B 8 – C 8)\n8  | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | A7#9   # V7 of D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: C\n1  | Dm     # tonic minor: Dorian by convention\n2  | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | A7#9   # V7 of D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n3  | Dm     # tonic minor: Dorian by convention\n4  | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | A7#9   # V7 of D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n5  | Dm     # tonic minor: Dorian by convention\n6  | Bb7    # tritone substitute: resolves down a half step to A7#9\n6  | A7#9   # V7 of D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n7  | Dm     # tonic minor: Dorian by convention\n8  | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | A7#9   # V7 of D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n",1793484797507]