[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:aloitis":3},"title: Aloitis\ncomposer: Oliver Nelson\nstyle: Medium Swing\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1–7)\n1  | BbMaj7  # ♭VIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n1  | Bdim    # vii°7 of Cm7: G7♭9 without its root\n2  | Cm7     # a borrowed minor chord: Dorian, its own key\n2  | C#dim   # vii°7 of Dm7: A7♭9 without its root\n3  | Dm7     # ii of the ii–V to C minor\n3  | G7      # V7 of C: natural tensions\n4  | Cm7     # ii of F7: Dorian\n4  | F7      # extended dominant: V7 of Bb7\n5  | Bb7     # extended dominant: V7 of Eb7\n6  | Eb7     # extended dominant: V7 of Ab7\n6  | Ab7     # back door bVII7 to Bb: b9 and #11 are in the key\n7  | Bb      # ♭VII, borrowed from C minor: Lydian (its ♯11 is in the key)\n7  | Gm7     # a borrowed minor chord: Dorian, its own key\n# area: Bb major (A1 8 – A2 8)\n8  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7 of Bb: natural tensions\n9  | Bb      # tonic: the 4th is in the key\n9  | F7      # V7 of Bb: natural tensions\n10 | Bb6     # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | D7      # extended dominant: each one falls a fifth into the next: natural tensions\n2  | D7\n3  | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n4  | G7\n5  | C7      # V7 of V7: the dominant of the dominant: natural tensions\n6  | C7\n7  | F7      # V7 of Bb: natural tensions\n8  | F7\n\nsection: A2\n1  | BbMaj7  # tonic: the 4th is in the key\n1  | Bdim    # vii°7 of Cm7: G7♭9 without its root\n2  | Cm7     # ii: Dorian, the key’s own notes\n2  | C#dim   # vii°7 of Dm7: A7♭9 without its root\n3  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | G7      # V7\u002Fii in Bb: the b13 is in the key\n4  | Cm7     # ii of F7: Dorian\n4  | F7      # extended dominant: V7 of Bb7\n5  | Bb7     # extended dominant: V7 of Eb7\n6  | Eb7     # extended dominant: V7 of Ab7\n6  | Ab7     # back door bVII7 to Bb: the #11 is in the key\n7  | Bb      # tonic: the 4th is in the key\n7  | F7      # V7 of Bb: natural tensions\n8  | Bb6     # tonic: the 4th is in the key\n",1793575881248]