[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:alo-alo":3},"title: Alô Alô\ncomposer: Paulinho da Viola\nstyle: Samba\nkey: F\nform: A, 26 bars\n# no recording: only found as half of the medley \"Alô Alô \u002F Sol da Manhã\" on Paulinho da Viola & Elton Medeiros's Samba na Madrugada (RGE XRLP-5.298, 1966), with no writer credit for it; Paulinho's authorship and a first recording unconfirmed\n# analysis: 2026-10-28, rules v2; F\n\nsection: A\n1  | F6      # tonic: the 4th is in the key\n2  | F6\n3  | F6\n4  | F6\n5  | F6\n6  | F#dim7  # vii°7 of Gm7: D7♭9 without its root\n7  | Gm7     # ii: Dorian, the key’s own notes\n8  | Gm7\n9  | Gm7\n10 | Gm7\n11 | G7      # V7 of V7: the dominant of the dominant: natural tensions\n12 | G7\n13 | C7      # extended dominant: V7 of F7\n14 | C7\n15 | F7      # V7\u002FIV in F: natural tensions\n16 | F7\n17 | Bb6     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n18 | Bb6\n19 | C7      # V7 of F: natural tensions\n20 | C7\n21 | F6      # tonic: the 4th is in the key\n22 | D7      # V7\u002Fii in F: the b13 is in the key\n23 | Gm7     # ii of the ii–V to F\n24 | C7      # V7 of F: natural tensions\n25 | F6      # tonic: the 4th is in the key\n26 | F6\n",1793484797493]