[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:all-too-soon":3},"title: All Too Soon\ncomposer: Duke Ellington\nstyle: Ballad\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1  | CMaj7  # tonic: the 4th is in the key\n1  | Am7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Dm7    # ii of the ii–V to C\n2  | G7     # V7 of C: natural tensions\n3  | CMaj7  # tonic: the 4th is in the key\n3  | C7     # V7\u002FIV in C: natural tensions\n4  | FMaj7  # the C7 before it makes F the key of the moment: the 4th is in the key\n4  | Bb7    # ♭VII7 from the parallel minor: Lydian Dominant\n5  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | A7#9   # V7\u002Fii in C: the b13 is in the key, b9, #9 and #11 from the symbol\n6  | Dm7    # ii of G7: Dorian\n6  | G7     # V7\u002FI in C: natural tensions\n7  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | A7     # V7\u002Fii in C: the b13 is in the key\n8  | Dm7    # ii of the ii–V to C\n8  | G7     # V7 of C: natural tensions\n9  | C6     # tonic: the 4th is in the key\n9  | Bb7    # back door bVII7 to C6: the #11 is in the key\n10 | C6     # tonic: the 4th is in the key\n10 | G7#5   # V7 of C: #11 and b13 from the symbol\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | C6\u002FG   # tonic: the 4th is in the key\n1  | G7#5   # extended dominant: V7 of C7; #11 and b13 from the symbol\n2  | C7     # I7 in C, not resolving: natural tensions\n3  | Gm7    # ii of the ii–V to F\n3  | C7#5   # V7\u002FIV in C: #11 and b13 from the symbol\n4  | FMaj7  # the C7#5 before it makes F the key of the moment: the 4th is in the key\n5  | B7     # tritone substitute: resolves down a half step to Bb7\n5  | Bb7    # tritone substitute: resolves down a half step to A7b9\n6  | A7b9   # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n7  | D7     # V7 of V7: the dominant of the dominant: natural tensions\n8  | G7#5   # V7 of C: #11 and b13 from the symbol\n\nsection: A2\n1  | CMaj7  # tonic: the 4th is in the key\n1  | Am7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Dm7    # ii of the ii–V to C\n2  | G7     # V7 of C: natural tensions\n3  | CMaj7  # tonic: the 4th is in the key\n3  | C7     # V7\u002FIV in C: natural tensions\n4  | FMaj7  # the C7 before it makes F the key of the moment: the 4th is in the key\n4  | Bb7    # ♭VII7 from the parallel minor: Lydian Dominant\n5  | Em7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | A7#9   # V7\u002Fii in C: the b13 is in the key, b9, #9 and #11 from the symbol\n6  | Dm7    # ii of the ii–V to C\n6  | G7     # V7 of C: natural tensions\n7  | C6     # tonic: the 4th is in the key\n7  | Am7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Dm7    # ii of the ii–V to C\n8  | G7     # V7 of C: natural tensions\n",1793575881196]