[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:all-the-way":3},"title: All The Way\ncomposer: Jimmy Van Heusen\nstyle: Ballad\nkey: Eb\nform: AB, 34 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A\n1  | EbMaj7     # tonic: the 4th is in the key\n2  | G7b9       # V7\u002Fvi in Eb: b9 and b13 are in the key\n3  | Cm7        # ii of F7: Dorian\n4  | F7         # V7 of V7: the dominant of the dominant: natural tensions\n5  | Bb7        # V7 in Eb, not resolving: natural tensions\n5  | Fm7\u002FC      # ii: Dorian, the key’s own notes\n6  | Dbm6       # a minor sixth chord: Dorian\n6  | Bb7\u002FD      # V7 of Eb: natural tensions\n7  | Eb6        # tonic: the 4th is in the key\n8  | Bbm7       # ii of the ii–V to Ab\n8  | Eb7        # V7\u002FIV in Eb: natural tensions\n9  | AbMaj7     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n10 | Bb7        # V7 in Eb, not resolving: natural tensions\n10 | Bb7\u002FD      # V7 in Eb, not resolving: natural tensions\n11 | G7b9       # V7\u002Fvi in Eb: b9 and b13 are in the key\n12 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | AbMaj7     # IV: the #4 is the key’s 7th\n14 | Bb7        # V7 in Eb, not resolving: natural tensions\n14 | Bdim7      # vii°7 of Cm7: G7♭9 without its root\n15 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n16 | Abm6\u002FCb    # a minor sixth chord: Dorian\n16 | Bb7        # V7 of Eb: natural tensions\n\nsection: B\n1  | EbMaj7     # tonic: the 4th is in the key\n2  | G7b9       # V7\u002Fvi in Eb: b9 and b13 are in the key\n3  | Cm7        # ii of F7: Dorian\n4  | F7         # V7 of V7: the dominant of the dominant: natural tensions\n5  | Bb7        # V7 in Eb, not resolving: natural tensions\n5  | Fm7\u002FC      # ii: Dorian, the key’s own notes\n6  | Dbm6       # a minor sixth chord: Dorian\n6  | Bb7\u002FD      # V7 of Eb: natural tensions\n7  | Eb6        # tonic: the 4th is in the key\n8  | Bbm7       # ii of the ii–V to Ab\n8  | Eb7        # V7\u002FIV in Eb: natural tensions\n9  | AbMaj7     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n10 | Bb7        # V7 in Eb, not resolving: natural tensions\n10 | Bb7\u002FD      # V7 in Eb, not resolving: natural tensions\n11 | G7b9       # V7\u002Fvi in Eb: b9 and b13 are in the key\n12 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | Abm6\u002FCb    # a minor sixth chord: Dorian\n13 | EbMaj7\u002FBb  # tonic: the 4th is in the key\n14 | Db7#11     # tritone substitute: resolves down a half step to C7b9\n14 | C7b9       # VI7 in Eb, not resolving: the b13 is in the key, the b9 from the symbol\n15 | Am7b5      # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n15 | Bb7\u002FAb     # V7 in Eb, not resolving: natural tensions\n16 | Gm7b5      # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | C7b9       # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n17 | Fm7        # ii of the ii–V to Eb\n17 | Bb7        # V7 of Eb: natural tensions\n18 | Eb6        # tonic: the 4th is in the key\n18 | Bb7        # V7 of Eb: natural tensions\n",1793575881118]