[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:all-the-things-you-are":3},"title: All the Things You Are\nsubtitle: AABA, 36 Bars\ncomposer: Jerome Kern\nstyle: Medium up\nkey: Ab\nform: AABC\nrecording: Ella Fitzgerald; Ella Fitzgerald Sings the Jerome Kern Song Book; Verve; 1963\nyoutube: ASNSS_G62zw\n# analysis: 2026-10-19, rules v2; Ab\n# recording: recorded 1963-01-05\u002F07, Radio Recorders, Los Angeles, with Nelson Riddle & His Orchestra; Verve V6-4060; songbook standard → Ella's reading as the reference; the Dizzy Gillespie Sextet\u002FCharlie Parker 1945 Guild 78 is the bop landmark but its first LP issue could not be confirmed; sources: Wikipedia; video: \"Provided to YouTube by Universal Music Group\", the album track (3:16), the same take\n\n# bar | chord | scale\n\nsection: Intro\nbars: 4\n# area: Ab major (Intro 1 – A1 5)\n1  | Db7#9   # tritone substitute: resolves down a half step to C7#9; b9 and #9 from the symbol\n3  | C7#9    # V7\u002Fvi in Ab: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: A1\nbars: 8\n# the optional cue chords in parentheses are left out\n1  | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Bbm7    # ii of the ii–V to Ab\n3  | Eb7     # V7 of Ab: natural tensions\n4  | AbMaj7  # tonic: the 4th is in the key\n5  | DbMaj7  # IV: the #4 is the key’s 7th\n# area: C major (A1 6 – A2 1)\n6  | Dm7     # ii of the ii–V to C\n6  | G7      # V7 of C: natural tensions\n7  | CMaj7   # tonic: the 4th is in the key\n\nsection: A2\nbars: 8\n1  | Cm7     # a borrowed minor chord: Dorian, its own key\n# area: Eb major (A2 2–5)\n2  | Fm7     # ii of the ii–V to Eb\n3  | Bb7     # V7 of Eb: natural tensions\n4  | EbMaj7  # tonic: the 4th is in the key\n5  | AbMaj7  # IV: the #4 is the key’s 7th\n# area: G major (A2 6 – B 3)\n6  | Am7b5   # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | D7      # V7 of G: natural tensions\n7  | GMaj7   # tonic: the 4th is in the key\n\nsection: B\n1  | Am7     # ii of the ii–V to G\n2  | D7      # V7 of G: natural tensions\n3  | GMaj7   # tonic: the 4th is in the key\n# area: E major (B 5–7)\n5  | F#m7b5  # iiø7 of E: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | B7      # V7 of E: natural tensions\n7  | EMaj7   # tonic: the 4th is in the key\n# area: Ab major (B 8 – C 12)\n8  | C7#5    # V7\u002Fvi in Ab: b9 and b13 are in the key, the #11 from the symbol\n\nsection: C\n1  | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Bbm7    # ii of the ii–V to Ab\n3  | Eb7     # V7 of Ab: natural tensions\n4  | AbMaj7  # tonic: the 4th is in the key\n5  | DbMaj7  # IV: the #4 is the key’s 7th\n6  | Gb13    # ♭VII7 from the parallel minor: Lydian Dominant\n7  | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | Bdim7   # passing diminished: Bb7♭9 without its Bb, the Eb7's dominant (Bbm7 its ii)\n9  | Bbm7    # ii of the ii–V to Ab\n10 | Eb7     # V7 of Ab: natural tensions\n11 | Ab6     # tonic: the 4th is in the key\n12 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | C7      # V7\u002Fvi in Ab: b9 and b13 are in the key\n",1793484797439]