[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:all-or-nothing-at-all":3},"title: All or Nothing at All\ncomposer: Arthur Altman\nstyle: Medium swing\nkey: Am\nform: AABA, 64 bars\nrecording: John Coltrane; Ballads; Impulse!; 1963\nyoutube: EeMMLPZEXTM\n# analysis: 2026-10-19, rules v2; A minor\n# recording: recorded 1962-11-13, Van Gelder Studio, Englewood Cliffs, John Coltrane Quartet (McCoy Tyner, Jimmy Garrison, Elvin Jones), take 3, Impulse! A-32; songbook standard (1939) → Coltrane's quartet reading as the jazz reference, over Sinatra's 1939 Harry James side (jazzdisco, Wikipedia); take 2 is on the 2002 Deluxe Edition only; video: \"Provided to YouTube by Universal Music Group\", Ballads, the issued take\n\n# bar | chord\n\nsection: A\n# area: A minor (A 1 – B 15)\n1  | Am          # tonic minor: Dorian by convention\n2  | AmMaj7      # from the symbol: minor-major 7th\n3  | Am7         # tonic minor: Dorian by convention\n4  | Am6         # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n5  | Am          # tonic minor: Dorian by convention\n# alt: bar 6 (Gm7 C7)\n7  | Bb9         # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n9  | Gm7         # a borrowed minor chord: Dorian, its own key\n11 | Dm7         # iv: Dorian, the key’s own notes\n# alt: bar 12 (D#dim7)\n13 | Dm7(add11)  # iv: Dorian, the key’s own notes\n14 | Db9#11      # tritone substitute: resolves down a half step to CMaj7\n15 | CMaj7       # bIII of A minor: the relative major itself\n16 | Bm7b5       # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | E7          # V7 of A minor: b9 and b13 are in the key\n\nsection: B\n1  | Am          # tonic minor: Dorian by convention\n2  | AmMaj7      # from the symbol: minor-major 7th\n3  | Am7         # tonic minor: Dorian by convention\n4  | Am6         # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n5  | Am          # tonic minor: Dorian by convention\n# alt: bar 6 (Gm7 C7)\n7  | Bb9         # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n9  | Gm7         # a borrowed minor chord: Dorian, its own key\n11 | Dm7         # iv: Dorian, the key’s own notes\n# alt: bar 12 (D#dim7)\n13 | Dm7(add11)  # iv: Dorian, the key’s own notes\n14 | Db9#11      # tritone substitute: resolves down a half step to CMaj7\n15 | CMaj7       # bIII of A minor: the relative major itself\n# area: Ab major (B 16 – C 15)\n16 | Bbm7        # ii of the ii–V to Ab\n16 | Eb7         # V7 of Ab: natural tensions\n\nsection: C\n1  | AbMaj7      # tonic: the 4th is in the key\n# alt (book footnote): bars 1–4 (Ab Ab+ | Ab6 Ab+ | Ab Ab+ | Ab6 Ab+)\n4  | Bbm7        # ii of the ii–V to Ab\n4  | Eb7         # V7 of Ab: natural tensions\n5  | AbMaj7      # tonic: the 4th is in the key\n6  | Db\u002FAb       # IV: the #4 is the key’s 7th\n6  | AbMaj7      # tonic: the 4th is in the key\n7  | Eb7         # V7 of the AbMaj7 before it: natural tensions\n9  | Bbm7        # ii of Eb7: Dorian\n10 | Eb7         # V7\u002FI in Ab: natural tensions\n11 | Bbm7        # ii of Eb7: Dorian\n12 | Eb7         # V7\u002FI in Ab: natural tensions\n12 | C7          # V7\u002Fvi in Ab: b9 and b13 are in the key\n13 | Fm          # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | Fm7\u002FEb      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n14 | Db9         # tritone substitute: resolves down a half step to C7\n15 | C7          # III7 in Ab, not resolving: b9 and b13 are in the key\n# area: A minor (C 16 – D 15)\n16 | E7          # V7 of A minor: b9 and b13 are in the key\n\nsection: D\nbars: 16\n1  | Am          # tonic minor: Dorian by convention\n2  | AmMaj7      # from the symbol: minor-major 7th\n3  | Am7         # tonic minor: Dorian by convention\n4  | Am6         # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n5  | Am          # tonic minor: Dorian by convention\n# alt: bar 6 (Gm7 C7)\n7  | Bb9         # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n9  | Gm7         # a borrowed minor chord: Dorian, its own key\n11 | Dm7         # iv: Dorian, the key’s own notes\n12 | E7          # V7 of A minor: b9 and b13 are in the key\n13 | Am          # tonic minor: Dorian by convention\n14 | Fm6         # a minor sixth chord: Dorian\n15 | C6          # bIII of A minor: the relative major itself\n# alt: bar 16 (E7)\n",1793484797431]