[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:all-gods-chillun-got-rhythm":3},"title: All God's Chillun Got Rhythm\ncomposer: Kahn, Bronisław Kaper\nstyle: Medium Up Swing\nkey: F\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1 | FMaj7  # tonic: the 4th is in the key\n1 | Dm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Gm7    # ii of C7: Dorian\n2 | C7     # V7\u002FI in F: natural tensions\n3 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | D7     # V7\u002Fii in F: the b13 is in the key\n4 | Gm7    # ii of the ii–V to F\n4 | C7     # V7 of F: natural tensions\n5 | FMaj7  # tonic: the 4th is in the key\n5 | Dm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Gm7    # ii of C7: Dorian\n6 | C7     # V7\u002FI in F: natural tensions\n7 | Am7b5  # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | D7b9   # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n\nsection: B\n1 | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | E7     # V7\u002Fiii in F: b9 and b13 are in the key\n2 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | D7     # V7\u002Fii in F: the b13 is in the key\n3 | Gm7    # ii of the ii–V to F\n3 | C7     # V7 of F: natural tensions\n4 | FMaj7  # tonic: the 4th is in the key\n5 | A7     # V7\u002Fvi in F: b9 and b13 are in the key\n6 | Dm7    # ii of G7: Dorian\n7 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n8 | C7     # V7 of F: natural tensions\n\nsection: A2\n1 | FMaj7  # tonic: the 4th is in the key\n1 | Dm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Gm7    # ii of C7: Dorian\n2 | C7     # V7\u002FI in F: natural tensions\n3 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | D7     # V7\u002Fii in F: the b13 is in the key\n4 | Gm7    # ii of the ii–V to F\n4 | C7     # V7 of F: natural tensions\n5 | FMaj7  # tonic: the 4th is in the key\n5 | Dm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Gm7    # ii of C7: Dorian\n6 | C7     # V7\u002FI in F: natural tensions\n7 | Am7b5  # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | D7b9   # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n\nsection: C\n1 | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | E7     # V7\u002Fiii in F: b9 and b13 are in the key\n2 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | D7     # V7\u002Fii in F: the b13 is in the key\n3 | Gm7    # ii of C7: Dorian\n3 | C7     # V7\u002FI in F: natural tensions\n4 | Eb7    # tritone substitute: resolves down a half step to D7\n4 | D7     # V7\u002Fii in F: the b13 is in the key\n5 | Gm7    # ii of the ii–V to F\n6 | C7     # V7 of F: natural tensions\n7 | F6     # tonic: the 4th is in the key\nalt 7 | F6     # tonic: the 4th is in the key\nalt 7 | D7     # V7\u002Fii in F: the b13 is in the key\n8 | F6\nalt 8 | Gm7    # ii: Dorian, the key’s own notes\nalt 8 | F6     # tonic: the 4th is in the key\nalt 8 | D7     # VI7 in F, not resolving: the b13 is in the key\nalt 8 | C7     # V7 of F: natural tensions\n",1793575881024]