[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:alias":3},"title: Aliás\ncomposer: Djavan\nstyle: Slow Bossa Nova\nkey: C\nform: AA, 16 bars\nrecording: Djavan; Novena; Epic; 1994\nyoutube: x0FK04Qg-Z4\n# analysis: 2026-10-28, rules v2; C\n# recording: Epic 229035\u002F1-476466 (Brazil, 1994), A3 (3:26); the composer's own first recording (rule 1); sources: Discogs; video: DjavanVEVO official \"Áudio Oficial\" upload from Novena (Sony Music), 3:27\n\nsection: A\n1  | CMaj7   # tonic: the 4th is in the key\n2  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | B7b9    # V7\u002Fiii in C: b9 and b13 are in the key\n3  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Bb7     # tritone substitute: resolves down a half step to A7\n4  | A7      # V7\u002Fii in C: the b13 is in the key\n5  | DmMaj7  # from the symbol: minor-major 7th\n5  | Bbm6    # a minor sixth chord: Dorian\n5  | A7      # V7\u002Fii in C: the b13 is in the key\n6  | Dm7     # ii of G9: Dorian\n6  | G9      # V7\u002FI in C: natural tensions\n7  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Ebdim7  # passing diminished: D7♭9 without its D, the G7's dominant (Dm7 its ii)\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n9  | C69     # tonic: the 4th is in the key\n9  | F7      # IV7 in C, not resolving: the #11 is in the key\n10 | CMaj7   # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n",1793484797412]