[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:alfie":3},"title: Alfie\ncomposer: Burt Bacharach\nstyle: Ballad\nkey: Bb\nform: ABA, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n1  | BbMaj7  # tonic: the 4th is in the key\n2  | F7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | BbMaj7  # tonic: the 4th is in the key\n4  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | G7      # V7\u002Fii in Bb: the b13 is in the key\n5  | Cm7     # ii: Dorian, the key’s own notes\n6  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Cm7     # ii of F7sus: Dorian\n7  | F7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8  | Bbdim7  # passing diminished: C7♭9 without its C, the F7sus's dominant; not functioning diatonically: the symmetric scale\n9  | F7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n10 | F7      # V7 in Bb, not resolving: natural tensions\n10 | F7#5    # V7 in Bb, not resolving: #11 and b13 from the symbol\n@ending 1 9 10\n\nsection: B\n1  | Am7     # a borrowed minor chord: Dorian, its own key\n2  | Bbm\u002FC   # a borrowed minor chord: Dorian, its own key\n2  | C7      # II7 in Bb, not resolving: natural tensions\n3  | Am7     # a borrowed minor chord: Dorian, its own key\n4  | C7sus   # static sus: Mixolydian\n5  | Am7     # a borrowed minor chord: Dorian, its own key\n6  | Bbm\u002FC   # a borrowed minor chord: Dorian, its own key\n6  | C7      # extended dominant: V7 of F7sus\n7  | F7sus   # static sus: Mixolydian\n8  | F6      # a non-tonic major chord: Lydian\n8  | F7      # V7 of Bb: natural tensions\n\nsection: A2\n1  | BbMaj7  # tonic: the 4th is in the key\n2  | F7sus   # static sus: Mixolydian\n3  | Em7b5   # #ivø7 in Bb: Locrian, its own mode (the chord is outside the key)\n3  | Eb7     # tritone substitute: resolves down a half step to Dm7\n4  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Em7b5   # #ivø7 in Bb: Locrian, its own mode (the chord is outside the key)\n5  | Eb7     # tritone substitute: resolves down a half step to Dm7\n6  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Gm7     # ii of C7#11: Dorian\n7  | C7#11   # V7\u002FV in Bb: the #11 from the symbol\n8  | Cm7     # ii of F7sus: Dorian\n8  | F7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n9  | Bbdim7  # passing diminished: C7♭9 without its C, the F7sus's dominant; not functioning diatonically: the symmetric scale\n10 | F7sus   # static sus: Mixolydian\n11 | Bdim7   # vii°7 of Cm9: G7♭9 without its root\n12 | Cm9     # ii: Dorian, the key’s own notes\n13 | Bdim7   # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n14 | BbMaj7  # tonic: the 4th is in the key\n",1793575880877]