[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:airegin":3},"title: Airegin\ncomposer: Sonny Rollins\nstyle: Medium up Latin\nkey: Fm\nform: ABAC, 36 bars\nrecording: Miles Davis; Miles Davis with Sonny Rollins; Prestige; 1954\nyoutube: xxop4KMVPpY\n# analysis: 2026-10-19, rules v2; F minor\n# recording: recorded 1954-06-29 (Miles Davis Quintet, Rollins on tenor), the first recording of it, 10\" PRLP 187; later on Bags' Groove (LP 7109); Miles recorded it again in 1956 on Cookin' (Wikipedia, jazzdisco); video: Bags' Groove, the same take\n# the book: \"Medium-Up Latin (Head Swings)\", as played by Miles Davis; letter A is marked (Swing)\n# the intro (4 bars, repeated) is a melodic figure with no chords\n# the book writes B as the 1st ending and C as the 2nd ending of a repeated A; written out here\n# solo on the form (ABAC); after solos, D.S. al Coda\n\n# bar | chord\n\nsection: A1\nbars: 8\n# area: F minor (A1 1 – B 1)\n1  | Fm      # tonic minor: Dorian by convention\n2  | C7#9b5  # V7 of F minor: b9, #9, #11 and 13 from the symbol\n3  | Fm      # tonic minor: Dorian by convention\n4  | F7      # V7\u002Fiv in F minor: the b13 is in the key\n5  | Bbm     # iv: Dorian, the key’s own notes\n6  | F7#9#5  # V7\u002Fiv in F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n7  | Bbm7    # iv: Dorian, the key’s own notes\n@segno 1\n\nsection: B\n1  | Bbm7\n# area: C major (B 2–3)\n2  | Dm7     # ii of the ii–V to C\n2  | G7      # V7 of C: natural tensions\n3  | CMaj7   # tonic: the 4th is in the key\n# area: B major (B 4–5)\n4  | C#m7    # ii of the ii–V to B\n4  | F#7     # V7 of B: natural tensions\n5  | BMaj7   # tonic: the 4th is in the key\n# area: Bb major (B 6–7)\n6  | Cm7     # ii of the ii–V to Bb\n6  | F7      # V7 of Bb: natural tensions\n7  | BbMaj7  # tonic: the 4th is in the key\n# area: F minor (B 9 – A2 6)\n9  | Bbm7    # ii of the ii–V to Ab\n10 | Eb7     # V7\u002FbIII in F minor: natural tensions\n11 | AbMaj7  # bIII of F minor: the relative major itself\n12 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | C7      # V7 of F minor: b9 and b13 are in the key\n\nsection: A2\ncopy: A1\n\nsection: C\n1  | Bbm7\n2  | Bbm7\n2  | Eb7     # V7 of Ab: natural tensions\n3  | AbMaj7  # tonic: the 4th is in the key\n4  | Cm7b5   # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | F7      # V7\u002Fii in Ab: the b13 is in the key\n5  | Bbm7    # ii of the ii–V to Ab\n6  | Bbm7\n6  | Eb7b9   # V7 of Ab: the b9 from the symbol\n7  | Ab6     # tonic: the 4th is in the key\n# area: F minor (C 8 – Coda 1)\n8  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | C7      # V7 of F minor: b9 and b13 are in the key\n# bars 7–8: solo break on the head\n@coda 6\n@nav 8 D.S. al Coda\n\nsection: Coda\nbars: 4\n@coda 1\n1  | Ab6     # bIII of F minor: the relative major itself\n# Coda bar 1 beat 3 – bar 2: N.C. (piano and bass figure)\n",1793484797387]