[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ai-ai-ai-ai-ai-ai":3},"title: Ai, Ai, Ai, Ai, Ai\ncomposer: Ivan Lins\nstyle: Bossa Nova\nkey: Gm\nform: AABB, 40 bars\nrecording: Ivan Lins; Awa Yiô; Reprise; 1991\nyoutube: Xb8KP_IrS4k\n# analysis: 2026-10-28, rules v2; G minor\n# recording: \"Ai Ai Ai Ai Ai\", track 8 of the Reprise CD 9 26499-2 (6:26), prod. Stewart Levine and Larry Williams; also issued in Brazil on Velas (11-V003); later on the Mulheres de Areia soundtrack (Som Livre, 1993); the composer's own first recording (rule 1); sources: Discogs; video: Ivan Lins - Topic \"Provided to YouTube\" upload (Warner Records), Awa Yiô, ℗ 1991 Warner Music Group, 6:27\n\nsection: Intro1\n1  | Gm9     # tonic minor: Dorian by convention\n1  | Gm6\u002FD   # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n2  | Gm9     # tonic minor: Dorian by convention\n2  | Gm6\u002FD   # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n3  | Gm9     # tonic minor: Dorian by convention\n3  | Gm6\u002FD   # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n4  | Gm9     # tonic minor: Dorian by convention\n4  | Gm6\u002FD   # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n1  | Gm9     # tonic minor: Dorian by convention\n1  | Gm6\u002FD   # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n2  | Gm9     # tonic minor: Dorian by convention\n2  | Gm6\u002FD   # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n3  | Cm7     # iv: Dorian, the key’s own notes\n3  | Cm6     # a minor sixth chord: Dorian\n4  | Cm7     # iv: Dorian, the key’s own notes\n4  | Cm6     # a minor sixth chord: Dorian\n5  | F9      # V7\u002FbIII in G minor: natural tensions\n6  | F9\n7  | Gm9     # tonic minor: Dorian by convention\n7  | Gm6\u002FD   # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n8  | Gm9     # tonic minor: Dorian by convention\n8  | Gm6\u002FD   # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n\nsection: A2\ncopy: A1\n\nsection: B1\n1  | Bbadd9  # bIII of G minor: the relative major itself\n1  | C\u002FBb    # a non-tonic major chord: Lydian\n2  | Bbadd9  # bIII of G minor: the relative major itself\n2  | C\u002FBb    # a non-tonic major chord: Lydian\n3  | F\u002FA     # ♭VII of G minor: F major, the notes of G Dorian\n4  | Bb9     # tritone substitute: resolves down a half step to Am11\n5  | Am11    # ii of D7b9: Dorian\n5  | D7b9    # extended ii–V: a side-step, its own key; b9 from the symbol\n6  | Am11    # ii of the ii–V to G minor\n6  | D7b9    # V7 of G minor: b9 and b13 are in the key\n7  | Gm9     # tonic minor: Dorian by convention\n7  | Gm6\u002FD   # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n8  | Gm9     # tonic minor: Dorian by convention\n8  | Gm6\u002FD   # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n9  | Gm9     # tonic minor: Dorian by convention\n9  | Gm6\u002FD   # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n10 | Gm9     # tonic minor: Dorian by convention\n10 | Gm6\u002FD   # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n11 | Gm9     # tonic minor: Dorian by convention\n11 | Gm6\u002FD   # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n12 | Gm9     # tonic minor: Dorian by convention\n12 | Gm6\u002FD   # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n\nsection: B2\ncopy: B1\n",1793484797354]