[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:agua-de-beber":3},"title: Agua de Beber\ncomposer: Antonio Carlos Jobim\nstyle: Bossa Nova\nkey: Dm\nform: ABC, 32 bars\nrecording: Antonio Carlos Jobim; The Composer of Desafinado, Plays; Verve; 1963\nyoutube: XDni7fKvNd4\n# analysis: 2026-10-28, rules v2; D minor\n# recording: recorded May 1963, Jobim guitar\u002Fpiano, Claus Ogerman arranger, Creed Taylor producer; Jobim's own first recording, an instrumental on his first album (rule 1), as for the library's other tunes from it; sources: Wikipedia (The Composer of Desafinado, Plays), Discogs; video: Antonio Carlos Jobim - Topic \"Provided to YouTube\" upload (Universal Music Group) ℗ 1964 The Verve Music Group, on the compilation Verve Jazz Masters 13, 2:54, the same take\n\nsection: Intro1\n# area: D minor (Intro1 1 – A 4)\n1  | Dm7     # tonic minor: Dorian by convention\n2  | E7#9    # V7 of V7: the dominant of the dominant, on the way to D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n2  | A7b13   # V7 of D minor, the chain's last link: b9 and b13 are in the key\n3  | Dm7     # tonic minor: Dorian by convention\n4  | E7#9    # V7 of V7: the dominant of the dominant, on the way to D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n4  | A7b13   # V7 of D minor, the chain's last link: b9 and b13 are in the key\n5  | Dm7     # tonic minor: Dorian by convention\n6  | BbMaj7  # a non-tonic major chord: Lydian\n7  | Dm7     # tonic minor: Dorian by convention\n8  | Dm7\n\nsection: Intro2\ncopy: Intro1\n\nsection: A\n1  | E7b9    # V7 of V7: the dominant of the dominant, on the way to D minor: b9 and b13 are in the key\n2  | A7alt   # from the symbol: altered\n3  | Dm7     # ii of G7: Dorian\n4  | G7      # V7\u002FbVII in D minor: natural tensions\n# area: F major (A 5–9)\n5  | Gm7     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | FMaj7   # tonic: the 4th is in the key\n8  | FMaj7\n9  | E7      # tritone substitute: resolves down a half step to Eb7\n# area: D minor (A 9 – C 8)\n9  | Eb7     # tritone substitute: resolves down a half step to Dm7\n10 | Dm7     # tonic minor: Dorian by convention\n10 | Dbdim7  # passing diminished: C7♭9 without its C, the F7\u002FC's dominant; not functioning diatonically: the symmetric scale\n11 | F7\u002FC    # tritone substitute: resolves down a half step to E7#9\u002FB\n12 | E7#9\u002FB  # II7 in D minor, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\n13 | E7b9    # V7 of A7sus, on the way to D minor: b9 and b13 are in the key\n14 | A7sus   # V7sus4 of Dm7: the b13 is in the key\n15 | Dm7     # tonic minor: Dorian by convention\n16 | D7b9    # extended dominant: V7 of G7; b9 from the symbol\n\nsection: B\n1  | G7      # IV7 in D minor, not resolving: natural tensions\n2  | Gm7     # iv: Dorian, the key’s own notes\n3  | Dm7     # tonic minor: Dorian by convention\n4  | D7b9    # extended dominant: V7 of G7; b9 from the symbol\n5  | G7      # IV7 in D minor, not resolving: natural tensions\n6  | Gm7     # iv: Dorian, the key’s own notes\n7  | Dm7     # tonic minor: Dorian by convention\n8  | A7b13   # V7 of D minor: b9 and b13 are in the key\n\nsection: C\n1  | Dm7     # tonic minor: Dorian by convention\n2  | E7#9    # V7 of V7: the dominant of the dominant, on the way to D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n2  | A7b13   # V7 of D minor, the chain's last link: b9 and b13 are in the key\n3  | Dm7     # tonic minor: Dorian by convention\n4  | E7#9    # V7 of V7: the dominant of the dominant, on the way to D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n4  | A7b13   # V7 of D minor, the chain's last link: b9 and b13 are in the key\n5  | Dm7     # tonic minor: Dorian by convention\n6  | BbMaj7  # a non-tonic major chord: Lydian\n7  | Dm7     # tonic minor: Dorian by convention\n8  | Dm7\n",1793484797340]