[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:again":3},"title: Again\ncomposer: Lionel Newman\nstyle: Ballad\nkey: G\nform: AABC, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n1 | GMaj7   # tonic: the 4th is in the key\n1 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Am7     # ii of D7: Dorian\n2 | D7      # V7\u002FI in G: natural tensions\n3 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | E7      # V7\u002Fii in G: the b13 is in the key\n4 | Am7     # ii of D7: Dorian\n4 | D7      # V7\u002FI in G: natural tensions\n5 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n6 | Am7b5   # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | D7b9    # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n7 | B7#5    # V7 of E7b9, on the way to A minor: b9 and b13 are in the key, the #11 from the symbol\n7 | E7b9    # V7 of A minor, the chain's last link: b9 and b13 are in the key\n8 | Am7     # ii of the ii–V to G\n8 | D7      # V7 of G: natural tensions\n\nsection: A2\n1 | GMaj7   # tonic: the 4th is in the key\n1 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Am7     # ii of D7: Dorian\n2 | D7      # V7\u002FI in G: natural tensions\n3 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | E7      # V7\u002Fii in G: the b13 is in the key\n4 | Am7     # ii of D7: Dorian\n4 | D7      # V7\u002FI in G: natural tensions\n5 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n6 | Am7b5   # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | D7b9    # V7 of G: the b9 from the symbol\n7 | GMaj7   # tonic: the 4th is in the key\n8 | Dm7     # ii of the ii–V to C\n8 | G7      # V7\u002FIV in G: natural tensions\n\nsection: B\n1 | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n2 | F9sus   # static sus: Mixolydian\n3 | G6      # tonic: the 4th is in the key\n3 | GMaj7   # tonic: the 4th is in the key\n4 | Dm7     # ii of the ii–V to C\n4 | G7      # V7\u002FIV in G: natural tensions\n5 | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n6 | F9sus   # static sus: Mixolydian\n7 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n8 | Am7     # ii of the ii–V to G\n8 | D7      # V7 of G: natural tensions\n\nsection: C\n1 | GMaj7   # tonic: the 4th is in the key\n1 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Am7     # ii of D7: Dorian\n2 | D7      # V7\u002FI in G: natural tensions\n3 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | E7      # V7\u002Fii in G: the b13 is in the key\n4 | Am7     # ii of D7: Dorian\n4 | D7      # V7\u002FI in G: natural tensions\n5 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n6 | Am7b5   # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | D7b9#5  # V7 of G: b9, #11 and b13 from the symbol\n7 | GMaj7   # tonic: the 4th is in the key\n8 | GMaj7\n",1793575880713]