[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:afternoon-in-paris":3},"title: Afternoon in Paris\ncomposer: John Lewis\nstyle: Medium\nkey: C\nform: AABC, 32 bars\nrecording: Jay Jay Johnson's Boppers; Modern Jazz Trombones Volume Two; Prestige; 1951\nyoutube: H9hq7p4jEh8\n# analysis: 2026-10-19, rules v2; C\n# recording: recorded 1949-10-17, NYC, J.J. Johnson with Sonny Stitt, John Lewis (piano), Nelson Boyd, Max Roach, take 2, the first recording of it, with the composer on piano; first issued on 78 (New Jazz 820, with Tea Pot), first LP 10\" PRLP 123 (MusicBrainz 1951, jazzdisco 1952); Lewis's own-name recording came later (with Sacha Distel, Atlantic, 1957) (jazzdisco, MusicBrainz, Wikipedia); video: \"Provided to YouTube by Universal Music Group\", Sonny Stitt, Bud Powell & J.J. Johnson, \"Afternoon In Paris (Take 2)\", the same take (not take 1)\n\n# bar | chord | scale\n# the bridge's standard chords; the sheet's alternates (Fm7 Bb7, Em7 A7, Dbm7 Gb7) are left out\n\nsection: A1\n# area: C major (A1 1)\n1 | CMaj7   # tonic: the 4th is in the key\n# area: Bb major (A1 2–3)\n2 | Cm7     # ii of the ii–V to Bb\n2 | F7      # V7 of Bb: natural tensions\n3 | BbMaj7  # tonic: the 4th is in the key\n# area: Ab major (A1 4–5)\n4 | Bbm7    # ii of the ii–V to Ab\n4 | Eb7     # V7 of Ab: natural tensions\n5 | AbMaj7  # tonic: the 4th is in the key\n# area: C major (A1 6 – A2 1)\n6 | Dm7b5   # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | G7b9    # V7 of C: the b9 from the symbol\n7 | CMaj7   # tonic: the 4th is in the key\n7 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n\nsection: A2\nbars: 8\n1 | CMaj7   # tonic: the 4th is in the key\n# area: Bb major (A2 2–3)\n2 | Cm7     # ii of the ii–V to Bb\n2 | F7      # V7 of Bb: natural tensions\n3 | BbMaj7  # tonic: the 4th is in the key\n# area: Ab major (A2 4–5)\n4 | Bbm7    # ii of the ii–V to Ab\n4 | Eb7     # V7 of Ab: natural tensions\n5 | AbMaj7  # tonic: the 4th is in the key\n# area: C major (A2 6 – C 1)\n6 | Dm7b5   # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | G7b9    # V7 of C: the b9 from the symbol\n7 | CMaj7   # tonic: the 4th is in the key\n\nsection: B\n1 | Dm7     # ii of the ii–V to C\n2 | G7      # V7 of C: natural tensions\n3 | CMaj7   # tonic: the 4th is in the key\n4 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | Dm7     # ii of G7: Dorian\n6 | G7      # V7\u002FI in C: natural tensions\n7 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n\nsection: C\ncopy: A1\n",1793484797334]