[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:a-wonderful-day-like-today":3},"title: A Wonderful Day Like Today\ncomposer: Leslie Bricusse, Anthony Newley\nstyle: Up Tempo Swing\nkey: Eb\nform: AABA, 68 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Eb6     # tonic: the 4th is in the key\n3  | EbMaj7  # tonic: the 4th is in the key\n4  | Eb6     # tonic: the 4th is in the key\n5  | EbMaj7  # tonic: the 4th is in the key\n6  | Eb6     # tonic: the 4th is in the key\n7  | Fm7     # ii of Bb7: Dorian\n8  | Bb7     # V7\u002FI in Eb: natural tensions\n9  | Fm7     # ii of Bb7: Dorian\n10 | Bb7     # V7\u002FI in Eb: natural tensions\n11 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | C7      # extended ii–V: a side-step, its own key\n13 | AbMaj7  # IV: the #4 is the key’s 7th\n14 | F7      # II7 in Eb, not resolving: natural tensions\n15 | Fm7     # ii of Bb7: Dorian\n16 | Bb7     # V7\u002FI in Eb: natural tensions\n17 | AbMaj7  # IV: the #4 is the key’s 7th\n18 | Fm7     # ii of the ii–V to Eb\n18 | Bb7     # V7 of Eb: natural tensions\n19 | Eb6     # tonic: the 4th is in the key\n19 | Fm7     # ii: Dorian, the key’s own notes\n20 | F#dim7  # passing diminished: D7♭9 without its D, the G7's dominant\n20 | G7      # III7 in Eb, not resolving: b9 and b13 are in the key\n@ending 1 13 16\n@ending 2 17 20\n\nsection: B\n1  | Ab      # IV: the #4 is the key’s 7th\n2  | Ab+     # from the symbol: augmented\n3  | Ab6     # IV: the #4 is the key’s 7th\n4  | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n4  | Adim7   # ♯IV°7 to I: D7♭9 without its root, the ♯II°7's notes\n5  | EbMaj7  # tonic: the 4th is in the key\n6  | Fm7     # ii of the ii–V to Eb\n6  | Bb7     # V7 of Eb: natural tensions\n7  | EbMaj7  # tonic: the 4th is in the key\n8  | Eb7     # V7\u002FIV in Eb: natural tensions\n9  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n10 | AbMaj7\n11 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n13 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n15 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n16 | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Eb6     # tonic: the 4th is in the key\n3  | EbMaj7  # tonic: the 4th is in the key\n4  | Eb6     # tonic: the 4th is in the key\n5  | EbMaj7  # tonic: the 4th is in the key\n6  | Eb6     # tonic: the 4th is in the key\n7  | Fm7     # ii of Bb7: Dorian\n8  | Bb7     # V7\u002FI in Eb: natural tensions\n9  | Fm7     # ii of Bb7: Dorian\n10 | Bb7     # V7\u002FI in Eb: natural tensions\n11 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | C7      # extended ii–V: a side-step, its own key\n13 | AbMaj7  # IV: the #4 is the key’s 7th\n14 | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n15 | Cm7     # ii of F7: Dorian\n16 | F7      # V7\u002FV in Eb: natural tensions\n17 | Fm7     # ii of the ii–V to Eb\n18 | Bb7     # V7 of Eb: natural tensions\n19 | Eb6     # tonic: the 4th is in the key\n20 | Bb7     # V7 of Eb: natural tensions\n",1793575880509]