[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:a-weaver-of-dreams":3},"title: A Weaver of Dreams\ncomposer: Victor Young\nstyle: Medium\nkey: C\nform: AA, 32 bars\nrecording: Cannonball Adderley Quintet; Cannonball Adderley Quintet in Chicago; Mercury; 1959\nyoutube: Noqz9CQ1T7Q\n# analysis: 2026-10-19, rules v2; C\n# recording: recorded 1959-02-03, Universal Recording, Chicago, John Coltrane with Wynton Kelly, Paul Chambers, Jimmy Cobb (Adderley sits out), Mercury MG-20449 (jazzdisco: 1959; Wikipedia gives 1960); songbook standard (1951; Nat King Cole's hit) → Coltrane's quartet reading as the jazz reference; sources: jazzdisco, Wikipedia; video: \"Provided to YouTube by Universal Music Group\", Cannonball Adderley Quintet In Chicago, the same take\n\n# bar | chord | scale\n# the \"standard\" chords; the lead sheet offers Bbm7 Eb7 | Am7 D7 | Abm7 Db7 | Gm7 C7 for A bars 5–8\n\nsection: A1\n1  | CMaj7   # tonic: the 4th is in the key\n3  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | E7b9    # V7\u002Fvi in C: b9 and b13 are in the key\n5  | Am7     # ii of the ii–V to G minor\n6  | D7      # V7\u002Fv in C: natural tensions\n7  | Gm7     # ii of the ii–V to F\n8  | C7      # V7\u002FIV in C: natural tensions\n9  | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n10 | Bb7#11  # ♭VII7 from the parallel minor: Lydian Dominant\n11 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | A7      # extended ii–V: a side-step, its own key\n13 | Am7     # ii of D7: Dorian\n14 | D7      # V7\u002FV in C: natural tensions\n15 | Dm7     # ii of the ii–V to C\n16 | G7      # V7 of C: natural tensions\n\nsection: A2\n1  | CMaj7   # tonic: the 4th is in the key\n3  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | E7b9    # V7\u002Fvi in C: b9 and b13 are in the key\n5  | Am7     # ii of the ii–V to G minor\n6  | D7      # V7\u002Fv in C: natural tensions\n7  | Gm7     # ii of the ii–V to F\n8  | C7      # V7\u002FIV in C: natural tensions\n9  | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n10 | Bb7#11  # ♭VII7 from the parallel minor: Lydian Dominant\n11 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n11 | A7      # extended ii–V: a side-step, its own key\n12 | Ebm7    # ii of Ab7: Dorian\n12 | Ab7     # extended ii–V: a side-step, its own key\n13 | Dm7     # ii of the ii–V to C\n14 | G7      # V7 of C: natural tensions\n15 | CMaj7   # tonic: the 4th is in the key\n16 | Dm7     # ii of the ii–V to C\n16 | G7      # V7 of C: natural tensions\n",1793484797315]