[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:a-time-for-love":3},"title: A Time For Love\ncomposer: Johnny Mandel\nstyle: Ballad\nkey: F\nform: ABCD, 38 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n# area: F major (A 1 – C 1)\n1  | FMaj7    # tonic: the 4th is in the key\n2  | Eb7\u002FF    # back door bVII7 to F6: the #11 is in the key\n3  | F6       # tonic: the 4th is in the key\n4  | G7       # II7 in F, not resolving: natural tensions\n5  | Gm7      # ii: Dorian, the key’s own notes\n6  | Gm7\u002FF    # ii: Dorian, the key’s own notes\n7  | Em7      # ii of A7: Dorian\n7  | A7       # extended ii–V: a side-step, its own key\n8  | Em7b5\u002FA  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | A7b9     # V7\u002Fvi in F: b9 and b13 are in the key\n\nsection: B\n1  | Dm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Eb7\u002FDb   # ♭VII7 from the parallel minor: Lydian Dominant\n3  | F7\u002FC     # I7 in F, not resolving: natural tensions\n4  | G7       # II7 in F, not resolving: natural tensions\n5  | Gm7      # ii: Dorian, the key’s own notes\n6  | Gm7\u002FF    # ii: Dorian, the key’s own notes\n7  | Em7      # ii of A7: Dorian\n7  | A7       # extended ii–V: a side-step, its own key\n8  | Em7b5\u002FA  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | A7b13    # V7\u002Fvi in F: b9 and b13 are in the key\n\nsection: C\n1  | Dm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1  | A7       # V7\u002Fvi in F: b9 and b13 are in the key\n# area: C major (C 2–7)\n2  | Dm7      # ii of the ii–V to C\n2  | G7       # V7 of C: natural tensions\n3  | C6       # tonic: the 4th is in the key\n3  | E7b13    # V7\u002Fvi in C: b9 and b13 are in the key\n4  | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | A7b13    # V7\u002Fii in C: the b13 is in the key\n5  | Dm7      # ii: Dorian, the key’s own notes\n5  | Cm6      # a minor sixth chord: Dorian\n6  | Bm7b5    # iiø7 of E7: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | E7       # V7\u002Fvi in C: b9 and b13 are in the key\n7  | C#m7     # a borrowed minor chord: Dorian, its own key\n7  | F#m7     # a borrowed minor chord: Dorian, its own key\n# area: F major (C 8 – D 14)\n8  | Gm7      # ii of the ii–V to F\n8  | C7       # V7 of F: natural tensions\n\nsection: D\n1  | FMaj7    # tonic: the 4th is in the key\n2  | Em7b5    # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | A7b9     # V7\u002Fvi in F: b9 and b13 are in the key\n3  | Dm7      # ii of G7: Dorian\n4  | G7       # V7\u002FV in F: natural tensions\n5  | Gm7      # ii: Dorian, the key’s own notes\n6  | Gm7\u002FF    # ii: Dorian, the key’s own notes\n7  | Em7      # ii of A7: Dorian\n7  | A7       # extended ii–V: a side-step, its own key\n8  | Em7b5    # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | A7b9     # V7\u002Fvi in F: b9 and b13 are in the key\n9  | Dm7      # ii of G7: Dorian\n10 | G7       # V7\u002FV in F: natural tensions\n11 | Gm7      # ii of the ii–V to F\n12 | C7       # V7 of F: natural tensions\n13 | F6       # tonic: the 4th is in the key\n14 | C7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n",1793575880464]