[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:a-sunday-kind-of-love":3},"title: A Sunday Kind Of Love\ncomposer: Belle, Prima, Michael Leonard, Rhodes\nstyle: Ballad\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1  | FMaj7   # tonic: the 4th is in the key\n1  | F#dim7  # vii°7 of Gm7: D7♭9 without its root\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n3  | Cm7     # ii of the ii–V to Bb\n3  | F7      # V7\u002FIV in F: natural tensions\n4  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n4  | Bbm7    # iv7 from the parallel minor: Dorian, its notes\n5  | FMaj7   # tonic: the 4th is in the key\n5  | D7      # V7\u002Fii in F: the b13 is in the key\n6  | Gm7     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | F6      # tonic: the 4th is in the key\n7  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Gm7     # ii: Dorian, the key’s own notes\n8  | Db7     # tritone substitute: resolves down a half step to C7\n8  | C7      # V7 of F: natural tensions\n9  | F6      # tonic: the 4th is in the key\n9  | Eb7     # back door bVII7 to F6: the #11 is in the key\n10 | F6      # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Cm7     # ii of F7: Dorian\n1  | F7      # V7\u002FIV in F: natural tensions\n2  | Cm7     # ii of the ii–V to Bb\n2  | F7      # V7\u002FIV in F: natural tensions\n3  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n3  | F7      # V7\u002FIV in F: natural tensions\n4  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n5  | G7      # II7 in F, not resolving: natural tensions\n6  | G7\n7  | Gm7     # ii of C7: Dorian\n8  | C7      # V7\u002FI in F: natural tensions\n8  | Db7     # tritone substitute: resolves down a half step to C7\n8  | C7      # V7 of F: natural tensions\n\nsection: A2\n1  | FMaj7   # tonic: the 4th is in the key\n1  | F#dim7  # vii°7 of Gm7: D7♭9 without its root\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n3  | Cm7     # ii of the ii–V to Bb\n3  | F7      # V7\u002FIV in F: natural tensions\n4  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n4  | Bbm7    # iv7 from the parallel minor: Dorian, its notes\n5  | FMaj7   # tonic: the 4th is in the key\n5  | D7      # V7\u002Fii in F: the b13 is in the key\n6  | Gm7     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | F6      # tonic: the 4th is in the key\n7  | Eb7     # back door bVII7 to F6: the #11 is in the key\n8  | F6      # tonic: the 4th is in the key\n",1793575880419]