[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:a-remark-you-made":3},"title: A Remark you Made\ncomposer: Joe Zawinul\nstyle: Ballad\nkey: Eb\nform: A, 61 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A\n1  | EbMaj7     # tonic: the 4th is in the key\n2  | Bb7sus\u002FEb  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | EbMaj7     # tonic: the 4th is in the key\n4  | EbMaj7\n5  | Bb7sus\u002FEb  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n6  | EbMaj7     # tonic: the 4th is in the key\n6  | Eb\u002FD       # tonic: the 4th is in the key\n6  | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Cm7\u002FBb     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | AbMaj7     # IV: the #4 is the key’s 7th\n7  | D7         # V7 of G7, on the way to C minor: b9 and b13 are in the key\n7  | G7         # V7 of C minor, the chain's last link: b9 and b13 are in the key\n8  | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Ab\u002FC       # IV: the #4 is the key’s 7th\n9  | G\u002FB        # a non-tonic major chord: Lydian\n9  | Eb\u002FBb      # tonic: the 4th is in the key\n9  | F\u002FA        # a non-tonic major chord: Lydian\n9  | Bb7\u002FAb     # V7 in Eb, not resolving: natural tensions\n10 | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Ab\u002FC       # IV: the #4 is the key’s 7th\n11 | G\u002FB        # a non-tonic major chord: Lydian\n12 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | Fm7        # ii: Dorian, the key’s own notes\n13 | Fm7\u002FEb     # ii: Dorian, the key’s own notes\n13 | Fm7\u002FD      # ii: Dorian, the key’s own notes\n14 | G7b9       # V7\u002Fvi in Eb: b9 and b13 are in the key\n15 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n15 | Cm7\u002FBb     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n16 | AbMaj7     # IV: the #4 is the key’s 7th\n16 | G7b9\u002FAb    # III7 in Eb, not resolving: b9 and b13 are in the key\n16 | G7b9       # V7\u002Fvi in Eb: b9 and b13 are in the key\n17 | Cm         # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n18 | EbMaj7     # tonic: the 4th is in the key\n19 | DbMaj7     # ♭VIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n19 | Bbsus      # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n20 | EbMaj7     # tonic: the 4th is in the key\n21 | Bb7sus     # static sus: Mixolydian\n22 | E\u002FC        # ♭II, borrowed from Eb Phrygian: Lydian (its ♯11 is in the key)\n22 | Eb\u002FD       # tonic: the 4th is in the key\n22 | EbMaj7     # tonic: the 4th is in the key\n23 | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n23 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n23 | Cm7\u002FBb     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n24 | AbMaj7     # IV: the #4 is the key’s 7th\n25 | G7b9       # V7\u002Fvi in Eb: b9 and b13 are in the key\n26 | Cm         # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n26 | Ab\u002FC       # IV: the #4 is the key’s 7th\n27 | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n27 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n28 | Fm7\u002FAb     # ii: Dorian, the key’s own notes\n28 | F7\u002FA       # extended dominant: V7 of Bb7sus\n29 | Bb7sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n30 | Eb7        # I7 in Eb, not resolving: natural tensions\n30 | Eb\u002FD       # tonic: the 4th is in the key\n30 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n30 | Cm7\u002FBb     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n31 | Ab7        # IV7 in Eb, not resolving: the #11 is in the key\n31 | Ab\u002FG       # IV: the #4 is the key’s 7th\n31 | Fm7        # ii of the ii–V to Eb\n31 | Bb7sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n32 | EbMaj7     # tonic: the 4th is in the key\n33 | B7sus      # static sus: Mixolydian\n34 | Bb7sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n35 | Bb7sus\n36 | Eb7        # I7 in Eb, not resolving: natural tensions\n37 | Cm         # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n37 | Ab\u002FC       # IV: the #4 is the key’s 7th\n38 | Cm         # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n39 | Fm7\u002FC      # ii of Bb7sus: Dorian\n39 | Bb7sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n40 | Eb7        # I7 in Eb, not resolving: natural tensions\n40 | Eb\u002FD       # tonic: the 4th is in the key\n40 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n40 | Cm7\u002FBb     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n41 | AbMaj7     # IV: the #4 is the key’s 7th\n41 | G7b9       # V7\u002Fvi in Eb: b9 and b13 are in the key\n42 | G7b9\n43 | G7b9\n44 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n45 | Ab\u002FC       # IV: the #4 is the key’s 7th\n45 | Eb\u002FC       # tonic: the 4th is in the key\n45 | Fm7\u002FC      # ii: Dorian, the key’s own notes\n45 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n46 | Bb7sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n47 | Eb7        # I7 in Eb, not resolving: natural tensions\n47 | Eb\u002FD       # tonic: the 4th is in the key\n47 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n47 | Cm7\u002FBb     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n48 | AbMaj7     # IV: the #4 is the key’s 7th\n48 | G7b9       # III7 in Eb, not resolving: b9 and b13 are in the key\n49 | Bb7sus     # static sus: Mixolydian\n49 | AbMaj7     # IV: the #4 is the key’s 7th\n50 | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n50 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n51 | Ab7        # IV7 in Eb, not resolving: the #11 is in the key\n51 | Fm7        # ii: Dorian, the key’s own notes\n52 | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n52 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n53 | Ab7        # IV7 in Eb, not resolving: the #11 is in the key\n54 | Cm         # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n54 | AbMaj7\u002FC   # IV: the #4 is the key’s 7th\n55 | Cm         # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n55 | AbMaj7\u002FC   # IV: the #4 is the key’s 7th\n56 | Cm         # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n56 | AbMaj7\u002FC   # IV: the #4 is the key’s 7th\n57 | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n57 | Cm         # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n58 | Eb7        # I7 in Eb, not resolving: natural tensions\n59 | Eb7\n60 | G\u002FB        # a non-tonic major chord: Lydian\n60 | Eb\u002FBb      # tonic: the 4th is in the key\n60 | F\u002FA        # a non-tonic major chord: Lydian\n60 | Bb7\u002FAb     # V7 in Eb, not resolving: natural tensions\n61 | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n61 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n61 | DbMaj7     # ♭VIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n",1793575880348]