[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:a-pretty-girl-is-like-a-melody":3},"title: A Pretty Girl Is Like A Melody\ncomposer: Irving Berlin\nstyle: Medium Swing\nkey: G\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A\n1  | A7     # II7 in G, not resolving: natural tensions\n1  | Bb13   # tritone substitute: resolves down a half step to A7\n2  | A7     # II7 in G, not resolving: natural tensions\n3  | Am9    # ii of D7: Dorian\n4  | D7     # V7\u002FI in G: natural tensions\n5  | F#\u002FG   # a non-tonic major chord: Lydian\n5  | G      # tonic: the 4th is in the key\n6  | F#\u002FG   # a non-tonic major chord: Lydian\n6  | G      # tonic: the 4th is in the key\n7  | GMaj9  # tonic: the 4th is in the key\n8  | GMaj9\n9  | Dm7    # ii of the ii–V to C\n9  | G7     # V7\u002FIV in G: natural tensions\n10 | C6     # the G7 before it makes C the key of the moment: the 4th is in the key\n11 | F9     # back door bVII7 to GMaj7: the #11 is in the key\n12 | GMaj7  # tonic: the 4th is in the key\n13 | A7     # V7 of V7: the dominant of the dominant: natural tensions\n14 | A7\n15 | D9     # V7 in G, not resolving: natural tensions\n16 | C9     # tritone substitute: resolves down a half step to B7\n16 | B7     # tritone substitute: resolves down a half step to Bb7\n16 | Bb7    # tritone substitute: resolves down a half step to A7\n\nsection: B\n1  | A7     # II7 in G, not resolving: natural tensions\n1  | Bb13   # tritone substitute: resolves down a half step to A7\n2  | A7     # II7 in G, not resolving: natural tensions\n3  | Am9    # ii of D7: Dorian\n4  | D7     # V7\u002FI in G: natural tensions\n5  | F#\u002FG   # a non-tonic major chord: Lydian\n5  | G      # tonic: the 4th is in the key\n6  | Dm7    # ii of the ii–V to C\n6  | G7     # V7\u002FIV in G: natural tensions\n7  | CMaj7  # the G7 before it makes C the key of the moment: the 4th is in the key\n7  | E7\u002FB   # V7\u002Fii in G: the b13 is in the key\n8  | Am7    # ii: Dorian, the key’s own notes\n9  | C#m7   # ii of F#7: Dorian\n9  | F#7    # extended dominant: V7 of B7\n10 | B7     # III7 in G, not resolving: b9 and b13 are in the key\n11 | Bm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n11 | E7     # V7\u002Fii in G: the b13 is in the key\n12 | Am7    # ii: Dorian, the key’s own notes\n13 | Am7\n13 | Eb13   # tritone substitute: resolves down a half step to D7\n14 | D7     # V7 of G: natural tensions\n15 | G6     # tonic: the 4th is in the key\n16 | Am7    # ii of D7: Dorian\n16 | D7     # V7\u002FI in G: natural tensions\n",1793575880308]