[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:a-noite":3},"title: A Noite\ncomposer: Ivan Lins\nstyle: Bossa Nova\nkey: C\nform: AABB, 30 bars\nrecording: Ivan Lins; A Noite; EMI-Odeon; 1979\n# analysis: 2026-10-28, rules v2; C\n# recording: EMI-Odeon 31C 064 422849, A1, the title track; Ivan Lins and Vitor Martins; the composer's own first recording (rule 1); sources: Discogs, Wikipedia (pt); video: none (no official upload of the album track found)\n\nsection: Intro1\n# area: C major (Intro1 1–2)\n1 | F#         # a non-tonic major chord: Lydian; the repeat at Intro2 bar 1 would be F# Ionian\n1 | F#Maj7     # a non-tonic major chord: Lydian; the repeat at Intro2 bar 1 would be F# Ionian\n2 | Bm7\u002FD#     # a borrowed minor chord: Dorian, its own key\n# area: F# major (Intro1 2 – A 9)\n2 | C#9        # V7 of F#: natural tensions\n\nsection: Intro2\ncopy: Intro1\n\nsection: A\n1 | F#         # tonic: the 4th is in the key\n1 | F#Maj7     # tonic: the 4th is in the key\n2 | Bm7\u002FD#     # iv7 from the parallel minor: Dorian, its notes\n2 | C#9        # V7 in F#, not resolving: natural tensions\n3 | Bm7\u002FF#     # iv7 from the parallel minor: Dorian, its notes\n3 | Bm6\u002FF#     # a minor sixth chord: Dorian\n4 | Bm7\u002FF#     # iv7 from the parallel minor: Dorian, its notes\n4 | Bm6\u002FF#     # a minor sixth chord: Dorian\n5 | Em7\u002FF#     # a borrowed minor chord: Dorian, its own key\n5 | Em7        # ii of A7: Dorian\n5 | A7         # tritone substitute: resolves down a half step to G#m9\n6 | G#m9       # ii of the ii–V to F#\n6 | C#13       # V7 of F#: natural tensions\n7 | F#Maj7     # tonic: the 4th is in the key\n7 | A13        # tritone substitute: resolves down a half step to G#m9\n8 | G#m9       # ii of C#13b9: Dorian\n8 | C#13b9     # V7\u002FI in F#: the b9 from the symbol\n9 | G#m7       # ii: Dorian, the key’s own notes\n9 | A#m7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: A major (A 9 – B2 7)\n9 | Bm7        # ii of the ii–V to A\n9 | E7         # V7 of A: natural tensions\n@segno 1\n@coda 9\n@ending 1 8\n@ending 2 9\n\nsection: B1\n1 | AMaj7      # tonic: the 4th is in the key\n1 | A13        # V7\u002FIV in A: natural tensions\n2 | DMaj7\u002FA    # the A13 before it makes D the key of the moment: the 4th is in the key\n2 | G7         # back door bVII7 to AMaj7\u002FE: the #11 is in the key\n3 | AMaj7\u002FE    # tonic: the 4th is in the key\n3 | C#9        # V7\u002Fvi in A: the b13 is in the key, the 9 from the symbol\n4 | F#m7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | A7\u002FE       # I7 in A, not resolving: natural tensions\n5 | D#m7b5     # iiø7 of G#7#5: Locrian, the key's own notes (its ♭2 is a passing note)\n5 | G#7#5      # extended dominant: V7 of C#7; #11 and b13 from the symbol\n6 | C#7        # III7 in A, not resolving: b9 and b13 are in the key; the repeat at B2 bar 6 would be C# Mixolydian\n7 | C#7        # III7 in A, not resolving: b9 and b13 are in the key; the repeat at B2 bar 7 would be C# Mixolydian\n7 | E7         # V7 of A: natural tensions\n@nav 7 D.S. al Coda\n\nsection: B2\ncopy: B1\n\nsection: Coda\n# area: F# major (Coda 1–6)\n1 | G#m9       # ii of the ii–V to F#\n1 | C#13       # V7 of F#: natural tensions\n2 | F#Maj7     # tonic: the 4th is in the key\n2 | A13        # tritone substitute: resolves down a half step to G#m9\n3 | G#m9       # ii of C#13b9: Dorian\n3 | C#13b9     # V7\u002FI in F#: the b9 from the symbol\n4 | Bm7        # iv7 from the parallel minor: Dorian, its notes\n4 | B\u002FA#       # IV: the #4 is the key’s 7th\n5 | G#m7       # ii: Dorian, the key’s own notes\n5 | GMaj7#11   # from the symbol: #11\n6 | F#Maj7#11  # from the symbol: #11\n@coda 1\n",1793484797226]