[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:a-nightingale-sang-in-berkeley-square":3},"title: A Nightingale Sang In Berkeley Square\ncomposer: Manning Sherwin\nstyle: Ballad\nkey: Eb\nform: AABA, 38 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n# area: Eb major (A1 1–11)\n1  | EbMaj7     # tonic: the 4th is in the key\n1  | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Bbm7       # ii of the ii–V to Ab\n2  | Eb7        # V7\u002FIV in Eb: natural tensions\n3  | AbMaj7     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n3  | Dm7b5      # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | G7         # V7\u002Fvi in Eb: b9 and b13 are in the key\n4  | Cm         # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Abm6       # a minor sixth chord: Dorian\n5  | EbMaj7\u002FBb  # tonic: the 4th is in the key\n5  | Fm7        # ii: Dorian, the key’s own notes\n6  | EbMaj7\u002FG   # tonic: the 4th is in the key\n6  | Abm7       # ii of Db7: Dorian\n6  | Db7        # back door bVII7 to EbMaj7: the #11 is in the key\n7  | EbMaj7     # tonic: the 4th is in the key\n7  | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Fm7        # ii of the ii–V to Eb\n8  | Bb7        # V7 of Eb: natural tensions\n9  | EbMaj7     # tonic: the 4th is in the key\n9  | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Fm7        # ii of the ii–V to Eb\n10 | Bb7        # V7 of Eb: natural tensions\n11 | EbMaj7     # tonic: the 4th is in the key\n# area: G major (A1 12 – B 7)\n12 | Am7b5      # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | D7         # V7 of G: natural tensions\n@ending 1 9 10\n@ending 2 11 12\n\nsection: B\n1  | GMaj7      # tonic: the 4th is in the key\n1  | Em7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Am7        # ii of D7: Dorian\n2  | D7         # V7\u002FI in G: natural tensions\n3  | Bm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Bbdim7     # passing diminished: A7♭9 without its A, the D7's dominant (Am7 its ii)\n4  | Am7        # ii of the ii–V to G\n4  | D7         # V7 of G: natural tensions\n5  | GMaj7      # tonic: the 4th is in the key\n5  | Em7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Am7        # ii of D7: Dorian\n6  | D7         # V7\u002FI in G: natural tensions\n7  | Bm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Em7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: Eb major (B 8 – A2 10)\n8  | Fm7        # ii of the ii–V to Eb\n8  | Bb7        # V7 of Eb: natural tensions\n\nsection: A2\n1  | EbMaj7     # tonic: the 4th is in the key\n1  | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Bbm7       # ii of the ii–V to Ab\n2  | Eb7        # V7\u002FIV in Eb: natural tensions\n3  | AbMaj7     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n3  | Dm7b5      # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | G7         # V7\u002Fvi in Eb: b9 and b13 are in the key\n4  | Cm         # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Abm6       # a minor sixth chord: Dorian\n5  | EbMaj7\u002FBb  # tonic: the 4th is in the key\n5  | Fm7        # ii: Dorian, the key’s own notes\n6  | EbMaj7\u002FG   # tonic: the 4th is in the key\n6  | Abm7       # ii of Db7: Dorian\n6  | Db7        # back door bVII7 to EbMaj7: the #11 is in the key\n7  | EbMaj7     # tonic: the 4th is in the key\n7  | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Fm7        # ii of the ii–V to Eb\n8  | Bb7        # V7 of Eb: natural tensions\n9  | EbMaj7     # tonic: the 4th is in the key\n9  | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Fm7        # ii of the ii–V to Eb\n10 | Bb7        # V7 of Eb: natural tensions\n",1793575880272]