[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:a-little-tear":3},"title: A Little Tear\ncomposer: Eumir Deodato, Paulo Valle\nstyle: Bossa nova\nkey: Db\nform: AB, 32 bars\nrecording: Sarah Vaughan; O Som Brasileiro de Sarah Vaughan; RCA Victor; 1978\nyoutube: jAWVGF5XMgQ\n# analysis: 2026-10-19, rules v2; Db\n# recording: recorded 1977-10-31 to 11-07, Rio de Janeiro, Sarah Vaughan with Hélio Delmiro (guitar), José Roberto Bertrami and others, RCA Victor (Brazil) 110.0018, issued in the US as I Love Brazil! (Pablo 2312-101); \"Razão de Viver\" (1964) with Ray Gilbert's English lyric → Vaughan's reading as the reference for the English title (Wikipedia, MusicBrainz); video: \"Provided to YouTube by Universal Music Group\", I Love Brazil!, the same take\n# book: Med. Bossa Nova, quarter = 94. The form repeats (repeat signs around A–B); last time, to the Coda at B bar 15.\n# the intro is a 2-bar guitar figure over an Eb bass, with no chord symbols\n\n# bar | chord\n\nsection: A\nbars: 16\n1  | Eb9        # II7 in Db, not resolving: natural tensions\n2  | Ebm7       # ii: Dorian, the key’s own notes\n3  | DbMaj7     # tonic: the 4th is in the key\n5  | Ebm7       # ii: Dorian, the key’s own notes\n7  | DbMaj7     # tonic: the 4th is in the key\n8  | Bb7b9b5    # extended dominant: V7 of Eb9; b9 and #11 from the symbol\n9  | Eb9        # II7 in Db, not resolving: natural tensions\n10 | Ebm7       # ii: Dorian, the key’s own notes\n11 | DbMaj7     # tonic: the 4th is in the key\n13 | Ebm7       # ii: Dorian, the key’s own notes\n15 | DbMaj7     # tonic: the 4th is in the key\n\nsection: B\nbars: 16\n# bar 16: break (DbMaj7 held)\n1  | Fm9        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | EbMaj7     # a non-tonic major chord: Lydian\n5  | Fm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | B7sus4     # static sus: Mixolydian\n8  | FMaj7b5    # a non-tonic major chord: Lydian\n9  | Eb9sus4    # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n9  | Eb9        # extended dominant: V7 of Ab9sus4\n10 | Ab9sus4    # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n10 | Ab9        # V7 in Db, not resolving: natural tensions\n11 | Fm7b5      # iiiø7 in Db: Locrian, its own mode (the chord is outside the key)\n12 | Bb7sus4b9  # from the symbol: sus b9\n12 | Bb7#5b9    # V7\u002Fii in Db: the b13 is in the key, b9 and #11 from the symbol\n13 | Ebm7       # ii of Ab9sus4: Dorian\n14 | Ab9sus4    # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n14 | Ab9        # V7 in Db, not resolving: natural tensions\n@coda 15\n15 | C\u002FDb       # a non-tonic major chord: Lydian\n15 | DbMaj7     # tonic: the 4th is in the key\n\nsection: Coda\n@coda 1\n1  | DbMaj7     # tonic: the 4th is in the key\n2  | Ab9sus4    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | DbMaj7     # tonic: the 4th is in the key\n4  | Ab9sus4    # static sus: Mixolydian\n# bars 3–4: repeated vamp (voice scats), vamp and fade\n",1793484797211]