[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:a-kiss-to-build-a-dream-on":3},"title: A Kiss To Build A Dream On\ncomposer: Kalmar, Harry Ruby, Hammerstein\nstyle: Medium Swing\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1 – B 2)\n1  | CMaj7   # tonic: the 4th is in the key\n1  | Dm7     # ii: Dorian, the key’s own notes\n2  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Ebdim7  # passing diminished: a rootless dominant ♭9\n3  | Dm7     # ii: Dorian, the key’s own notes\n3  | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n4  | Dm7     # ii of G7: Dorian\n4  | G7      # V7\u002FI in C: natural tensions\n5  | Dm7     # ii: Dorian, the key’s own notes\n5  | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n6  | Dm7     # ii of the ii–V to C\n6  | G7      # V7 of C: natural tensions\n7  | C6      # tonic: the 4th is in the key\n8  | D7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | G7      # V7 of C: natural tensions\n9  | C6      # tonic: the 4th is in the key\n10 | C6\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Fm7     # ii of Bb7: Dorian\n1  | Bb7     # extended ii–V: a side-step, its own key\n2  | Gm7     # ii of the ii–V to F minor\n2  | C7      # V7\u002Fiv in C: natural tensions\n# area: Eb major (B 3–6)\n3  | Fm7     # ii of the ii–V to Eb\n3  | Bb7     # V7 of Eb: natural tensions\n4  | EbMaj7  # tonic: the 4th is in the key\n5  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n6  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Cm7\u002FBb  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: C major (B 7 – A2 8)\n7  | Am7     # ii of D7: Dorian\n7  | D7      # V7\u002FV in C: natural tensions\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n\nsection: A2\n1  | CMaj7   # tonic: the 4th is in the key\n1  | Dm7     # ii: Dorian, the key’s own notes\n2  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Ebdim7  # passing diminished: a rootless dominant ♭9\n3  | Dm7     # ii: Dorian, the key’s own notes\n3  | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n4  | Dm7     # ii of G7: Dorian\n4  | G7      # V7\u002FI in C: natural tensions\n5  | Dm7     # ii: Dorian, the key’s own notes\n5  | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n6  | Dm7     # ii of the ii–V to C\n6  | G7      # V7 of C: natural tensions\n7  | C6      # tonic: the 4th is in the key\n7  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n",1793575880170]