[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:a-ghost-of-a-chance":3},"title: A Ghost Of A Chance\ncomposer: Victor Young\nstyle: Ballad\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1  | CMaj7   # tonic: the 4th is in the key\n2  | Db7#11  # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n3  | Gm7     # ii of the ii–V to F minor\n3  | C7      # V7\u002Fiv in C: natural tensions\n4  | Fm7     # ii of Bb7: Dorian\n4  | Bb7     # extended ii–V: a side-step, its own key\n5  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Ebdim7  # passing diminished: D7♭9 without its D, the G7's dominant (Dm7 its ii)\n6  | Dm7     # ii of G7: Dorian\n6  | G7      # V7\u002FI in C: natural tensions\n7  | E7      # V7 of A7, on the way to D minor: b9 and b13 are in the key\n7  | A7      # V7 of D minor, the chain's last link: b9 and b13 are in the key\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n9  | CMaj7   # tonic: the 4th is in the key\n10 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Dm7     # ii of the ii–V to C\n2  | G7#5    # V7 of C: #11 and b13 from the symbol\n3  | CMaj7   # tonic: the 4th is in the key\n3  | G7      # V7 of C: natural tensions\n4  | CMaj7   # tonic: the 4th is in the key\n4  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | B7b9    # V7\u002Fiii in C: b9 and b13 are in the key\n7  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | A7      # V7\u002Fii in C: the b13 is in the key\n8  | Dm7     # ii of the ii–V to C\n8  | G7#5    # V7 of C: #11 and b13 from the symbol\n\nsection: A2\n1  | CMaj7   # tonic: the 4th is in the key\n2  | Db7#11  # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n3  | Gm7     # ii of the ii–V to F minor\n3  | C7      # V7\u002Fiv in C: natural tensions\n4  | Fm7     # ii of Bb7: Dorian\n4  | Bb7     # extended ii–V: a side-step, its own key\n5  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Ebdim7  # passing diminished: D7♭9 without its D, the G7's dominant (Dm7 its ii)\n6  | Dm7     # ii of the ii–V to C\n6  | G7      # V7 of C: natural tensions\n7  | CMaj7   # tonic: the 4th is in the key\n7  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n",1793575880161]