[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:a-flower-is-a-lovesome-thing":3},"title: A Flower Is A Lovesome Thing\ncomposer: Billy Strayhorn\nstyle: Ballad\nkey: Db\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Db\n\nsection: A1\n# area: Db major (A1 1–7)\n1 | B7#11    # tritone substitute: resolves down a half step to Bb7b13\n2 | B7#11\n3 | B7#11\n4 | B7#11\n5 | Bb7b13   # extended dominant: each one falls a fifth into the next: the b13 from the symbol\n5 | Eb7      # V7 of V7: the dominant of the dominant: natural tensions\n6 | Ab7b13   # extended dominant: V7 of Db7; b13 from the symbol\n6 | Db7      # I7 in Db, not resolving: natural tensions; the repeat at A2 bar 6 would be Db Phrygian Dominant\n7 | DMaj7    # ♭IImaj7, borrowed from Db Phrygian: Lydian (its ♯11 is in the key); the repeat at A2 bar 7 would be D Ionian\n# area: D major (A1 7 – A2 8)\n7 | Eb7      # tritone substitute: resolves down a half step to DMaj7\n7 | DMaj7    # tonic: the 4th is in the key\nalt 7 | F#m7     # tonic minor: Dorian by convention\nalt 7 | Eb7      # tritone substitute: resolves down a half step to DMaj7\nalt 7 | DMaj7    # a non-tonic major chord: Lydian\n8 | Db6      # a non-tonic major chord: Lydian\n\nsection: A2\ncopy: A1\n\nsection: B\n# area: Db major (B 1–2)\n1 | Ebm7b5   # iiø7 of Db: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | Ab7#5    # V7 of Db: #11 and b13 from the symbol\n2 | DbMaj7   # tonic: the 4th is in the key\n# area: D major (B 3–7)\n3 | Em7b5    # iiø7 of D: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | A7b9     # V7 of D: the b9 from the symbol\n4 | DMaj7    # tonic: the 4th is in the key\n5 | DMaj7\u002FA  # tonic: the 4th is in the key\n5 | G#m7b5   # #ivø7 in D: Locrian, its own mode (the chord is outside the key)\nalt 5 | G#m7b5   # iiø7 of C#7#5: Locrian, the key's own notes (its ♭2 is a passing note)\nalt 5 | C#7#5    # V7\u002Fiii in D: b9 and b13 are in the key, the #11 from the symbol\n6 | DMaj7\u002FA  # tonic: the 4th is in the key\nalt 6 | DMaj7    # tonic: the 4th is in the key\n7 | Ab7#11   # tritone substitute: resolves down a half step to G7#11\n# area: Db major (B 7 – A3 7)\n7 | G7#11    # tritone substitute: resolves down a half step to GbMaj7\n8 | GbMaj7   # the G7#11 before it makes Gb the key of the moment: the 4th is in the key\n8 | Ab7#11   # V7 in Db, not resolving: the #11 from the symbol\n\nsection: A3\n1 | B7#11    # tritone substitute: resolves down a half step to Bb7b13\n2 | B7#11\n3 | B7#11\n4 | B7#11\n5 | Bb7b13   # extended dominant: each one falls a fifth into the next: the b13 from the symbol\n5 | Eb7      # V7 of V7: the dominant of the dominant: natural tensions\n6 | Ab7b13   # extended dominant: V7 of Db7; b13 from the symbol\n6 | Db7      # I7 in Db, not resolving: natural tensions\n7 | DMaj7    # ♭IImaj7, borrowed from Db Phrygian: Lydian (its ♯11 is in the key)\n# area: D major (A3 7–8)\n7 | Eb7      # tritone substitute: resolves down a half step to DMaj7\n7 | DMaj7    # tonic: the 4th is in the key\nalt 7 | F#m7     # tonic minor: Dorian by convention\nalt 7 | Eb7      # tritone substitute: resolves down a half step to DMaj7\nalt 7 | DMaj7    # a non-tonic major chord: Lydian\n8 | Db6      # a non-tonic major chord: Lydian\n",1793575880141]