[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:a-flor-e-o-espino":3},"title: A Flor e o Espinho\ncomposer: Nelson Cavaquinho, Guilherme de Brito, Alcides Caminha\nstyle: Samba\nkey: Dm\nform: AAB, 64 bars\nrecording: Nelson Cavaquinho; Depoimento do Poeta; Castelinho; 1970\nyoutube: eYmVjACW7rc\n# analysis: 2026-10-28, rules v2; D minor\n# recording: Nelson's first LP (Castelinho, 1970), B1; the composer's own first recording (rule 1); the song (1957) was first recorded by Raul Moreno on a Todamérica 78 the same year, and Elizeth Cardoso's Elizeth Sobe o Morro (1965) made it a hit; sources: Discogs, Nova Brasil FM; video: Nelson Cavaquinho - Topic \"Provided to YouTube\" upload (The Orchard), Depoimento do Poeta, ℗ 1970 Castelinho, 2:36\n\nsection: Intro\n1  | Am7b5  # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | D7b9   # V7\u002Fiv in D minor: the b13 is in the key, the b9 from the symbol\n3  | Gm7    # iv: Dorian, the key’s own notes\n4  | A7b9   # V7 of D minor: b9 and b13 are in the key\n5  | Dm7    # tonic minor: Dorian by convention\n6  | Bb7    # bVI7 in D minor, not resolving: the #11 is in the key\n6  | Ab7    # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n7  | Dm7    # tonic minor: Dorian by convention\n8  | A7b9   # V7 of D minor: b9 and b13 are in the key\n\nsection: A\n1  | Dm7    # tonic minor: Dorian by convention\n2  | Dm7\n3  | Gm7    # iv: Dorian, the key’s own notes\n4  | Gm7\n5  | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | A7b9   # V7 of D minor: b9 and b13 are in the key\n7  | Dm7    # tonic minor: Dorian by convention\n8  | Dm7\n9  | D7b9   # V7\u002Fiv in D minor: the b13 is in the key, the b9 from the symbol\n10 | D7b9\n11 | Gm7    # ii of C7: Dorian\n12 | Gm7\n13 | C7     # V7\u002FbIII in D minor: natural tensions\n14 | C7\n15 | Bb7    # tritone substitute: resolves down a half step to A7b9\n16 | A7b9   # V7 in D minor, not resolving: b9 and b13 are in the key\n17 | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n18 | A7b9   # V7 of D minor: b9 and b13 are in the key\n19 | Dm7    # tonic minor: Dorian by convention\n20 | Dm7\n21 | Bb7    # tritone substitute: resolves down a half step to A7b9\n22 | A7b9   # V7 of D minor: b9 and b13 are in the key\n23 | Dm7    # tonic minor: Dorian by convention\n24 | A7b9   # V7 of D minor: b9 and b13 are in the key\n25 | Dm7    # tonic minor: Dorian by convention\n26 | Dm7\n@segno 1\n@nav 26 Fine\n@ending 1 23 24\n@ending 2 25 26\n\nsection: B\n1  | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | A7b9   # V7 of D minor: b9 and b13 are in the key\n3  | Dm7    # tonic minor: Dorian by convention\n4  | Dm7\n5  | D7b9   # V7\u002Fiv in D minor: the b13 is in the key, the b9 from the symbol\n6  | D7b9\n7  | Gm7    # iv: Dorian, the key’s own notes\n8  | Gm7\n9  | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | A7b9   # V7 of D minor: b9 and b13 are in the key\n11 | Dm7    # tonic minor: Dorian by convention\n12 | Dm7\n13 | Bb7    # tritone substitute: resolves down a half step to A7\n14 | Bb7\n15 | A7     # V7 of D minor: b9 and b13 are in the key\n16 | A7\n@nav 16 D.S. al 2nd End.\n",1793484797203]